Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
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Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
It was the first time I had heard this use of the word, and when the
meaning was explained to me I wondered if that was the right thing to
say on such an occasion.
“Why, yes,” replied my godfather, “you are idiotic with your romantic
ideas. Marriage is a business affair, and must be considered as such.
Your future father and mother-in-law will have to die, just as we shall,
and it is by no means disagreeable to know that they will leave two
million francs to their son, and consequently to you, if you marry him.”
“I shall not marry him, though.”
“Why?”
“Because I do not love him.”
“But you never love your husband before—” replied my practical adviser.
“You can love him after.”
“After what?”
“Ask your mother. But listen to me now, for it is not a question of
that. You must marry. Your mother has a small income which your father
left her, but this income comes from the profits of the manufactory
which belongs to your grandmother, and she cannot bear your mother, who
will therefore lose that income, and then have nothing and three
children on her hands. It is that accursed lawyer who is arranging all
this. The whys and wherefores would take too long to explain. Your
father managed his business affairs very badly. You must marry,
therefore, if not for your own sake, for the sake of your mother and
sisters. You can then give your mother the hundred thousand francs your
father left you, which no one else can touch. M. B—— will allow you
three hundred thousand francs. I have arranged everything, so that you
can give this to your mother if you like, and with four hundred thousand
francs she will be able to live very well.”
I cried and sobbed, and asked to have time to think it over. I found my
mother in the dining-room.
“Has your godfather told you?” she asked gently, in rather a timid way.
“Yes, mother; yes, he has told me. Let me think it over, will you?” I
said, sobbing, as I kissed her neck lingeringly.
I then locked myself in my bedroom, and, for the first time for many
days, I regretted the separation from my convent. All my childhood rose
up before me, and I cried more and more, and felt so unhappy that I
wished I could die. Gradually, however, I began to get calm again and
realized what had happened, and what my godfather’s words meant. Most
decidedly I did not want to marry this man. Since I had been at the
_Conservatoire_, I had learned a few things vaguely, very vaguely, for I
was never alone, but I understood enough to make me not want to marry
without being in love. I was, however, destined to be attacked in a
quarter from which I should not have expected it. Mme. Guérard asked me
to go up to her room to see the embroidery she was doing on a frame for
my mother’s birthday.
My astonishment was great to find M. B—— there. He begged me to change
my mind. He made me very wretched, for he pleaded with tears in his
eyes.
“Do you want a larger marriage settlement?” he asked. “I would make it
five hundred thousand francs.”
Public-domain text, read in full here on John Shaqi.
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