Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
With a very natural partiality I discovered in myself the gift of
absolute self-sacrifice, renunciation, and devotion of every
kind—qualities which would win for me easily the post of Mother Superior
in the Grandchamps Convent. Then with the most indulgent generosity I
attributed to myself all the necessary gifts for the fulfillment of my
other dream, namely, to become the first, the most celebrated, and the
most envied of actresses. I counted on my fingers all my qualities:
gracefulness, charm, distinction, beauty, mystery, piquancy. Oh, yes, I
found I had all these, and when my reason and my honesty raised any
doubt or suggested a “but” to this fabulous inventory of my qualities,
my combative and paradoxical _ego_ at once found a plain decisive answer
which admitted of no further argument.
It was under these special conditions and in this frame of mind that I
went on to the stage when my turn came. The choice of my rôle for this
competition was a very stupid one. I had to represent a married woman
who was reasonable and given to reasoning, and I was a mere child, and
looked much younger than I was. In spite of this, I was very brilliant;
I argued well, was very gay, and had immense success. I was transfigured
with joy and wildly excited, so sure I felt of a first prize.
I never doubted for a moment that it would be awarded to me unanimously.
When the competition was over, the committee met to discuss the awards,
and in the meantime I asked for something to eat. A cutlet was brought
from the pastry cook patronized by the _Conservatoire_, and I devoured
it, to the great joy of Mme. Guérard and Mlle. De Brabender, for I
detested meat, and always refused to eat it.
The members of the committee at last went to their places in the state
box, and there was silence in the hall. The young men were called first
on to the stage. There was no first prize awarded to them. Parfouru’s
name was called for the second prize for comedy. Parfouru is known
to-day as M. Paul Porel, director of the Vaudeville Theater, and
Réjane’s husband. After this came the turn for the girls.
I was in the doorway, ready to rush up to the stage. The words “first
prize for comedy” were uttered, and I made a step forward, pushing aside
a girl who was a head taller than I was. “First prize for comedy awarded
unanimously to Mlle. Marie Lloyd.” The tall girl I had pushed aside now
went forward, slender and beaming, toward the stage.
There were a few muttered protests, but her beauty, her distinction, and
her modest charm won the day with everyone, and Marie Lloyd was cheered.
She passed me on her return, and kissed me affectionately. We were great
friends, and I liked her very, much, but I considered her a nonentity as
a pupil. I do not remember whether she had received any prize the
previous year, but certainly no one expected her to have one now, and I
was simply petrified.
“Second prize for comedy: Mlle. Bernhardt.”
Public-domain text, read in full here on John Shaqi.
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