Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
The Comte de Kératry was also present, an elegant young Hussar, who paid
me great compliments, and invited me to go and recite some poetry at his
mother’s house.
My aunt then sang a song which was very much in vogue, and had great
success. She was coquettish and charming and just a trifle jealous of
this insignificant niece who had taken up the attention of her admirers
for a few minutes.
When I returned home I was quite another being. I sat down, dressed as I
was, on my bed and remained for a long time deep in thought. Hitherto
all I had known of life had been through my family and my work. I had
now just had a glimpse of it through society, and I was struck by the
hypocrisy of some of the people, and the conceit of others. I began to
wonder uneasily what I should do, shy and frank as I was. I thought of
my mother. She did not do anything, though. She was indifferent to
everything. I thought of my Aunt Rosine, who, on the contrary, liked to
mix in everything.
I remained there looking down on the ground, my head in a whirl, and
feeling very anxious, and I did not go to bed until I was thoroughly
cold.
CHAPTER VII
I MAKE MY DÉBUT AND EXIT
The next few days passed by without any particular events. I was working
hard at _Iphigénie_, as M. Thierry had told me I was to make my début in
this rôle.
At the end of August I received a notice requesting me to be at the
rehearsal of _Iphigénie_. Oh, that first notice, how it made my heart
beat! I could not sleep at night, and daylight did not come quickly
enough for me. I kept getting up to look at the time. It seemed to me
that the clock had stopped. I had dozed, and I fancied it was the same
time as before. Finally, a streak of light coming through the
windowpanes was, I thought, the triumphant sun illuminating my room. I
got up at once, pulled back the curtains, and mumbled my rôle while
dressing.
I thought of rehearsing with Mme. Devoyod, the first actress at the
Comédie Française for tragedy, with Maubant, with ... I trembled as I
thought of all this, for Mme. Devoyod was not supposed to be very
indulgent. I arrived for the rehearsal an hour before the time. The
stage manager, Davenne, smiled and asked me whether I knew my rôle.
“Oh, yes!” I exclaimed with conviction.
“Come and rehearse it. Would you like to?” and he took me to the stage.
I went with him through the long corridor of busts which leads from the
_foyer_ of the _artistes_ to the stage. He told me the names of the
celebrities represented by these busts. I stood still a moment before
that of Adrienne Lecouvreur.
“I love that _artiste_,” I said.
“Do you know her story?” he asked.
“Yes, I have read all that has been written about her.”
“That’s quite right, my child,” said the worthy man. “You ought to read
all that concerns your art. I will lend you some very interesting
books.”
Public-domain text, read in full here on John Shaqi.
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