Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
“Very well,” I answered, blushing, “I will get them myself.”
On returning home I told my mother my troubles, and, as she was always
very generous, she promptly bought me a veil of white _barège_ that fell
in beautiful, large, soft folds, and a wreath of hedge roses which, at
night, looked very soft and white. She also ordered me buskins from the
shoemaker employed by the Comédie.
The next thing to think about was the make-up box. For this my mother
had recourse to the mother of Dica Petit, my fellow student at the
_Conservatoire_. I went with Mme. Dica Petit to M. Massin, a
manufacturer of these make-up boxes. He was the father of Léontine
Massin, another _Conservatoire_ pupil.
We went up to the sixth floor of a house in the Rue Réamur, and on a
plain-looking door read the words: “Massin, Manufacturer of Make-up
Boxes.” I knocked and a little hunchback girl opened the door. I
recognized Léontine’s sister, as she had come several times to the
_Conservatoire_.
“Oh,” she exclaimed, “what a surprise for us! Titine,” she then called
out, “here is Mlle. Sarah!”
Léontine Massin came running out of the next room. She was a pretty
girl, very gentle and calm in demeanor. She threw her arms round me,
exclaiming:
“How glad I am to see you! And so you are coming out at the Comédie. I
saw it in the paper.”
I blushed up to my ears at the idea of being mentioned in the paper.
“I am engaged at the Variétés,” she said, and then she talked away at
such a rate that I was bewildered. Mme. Petit did not enter into all
this, and tried in vain to separate us. She had replied by a nod and an
indifferent “Thanks” to Léontine’s inquiries about her daughter’s
health. Finally, when the young girl had finished saying all she had to
say, Mme. Petit remarked:
“You must order your box; we have come here for that, you know.”
“Ah! then you will find my father in his workshop at the end of the
passage, and if you are not very long I shall still be here. I am going
to rehearsal at the Variétés later on.”
Mme. Petit was furious, for she did not like Léontine Massin.
“Don’t wait, mademoiselle,” she said, “it will be impossible for us to
stay afterwards.”
Léontine was annoyed, and, shrugging her shoulders, she turned her back
on my companion. She then put her hat on, kissed me, and bowing gravely
to Mme. Petit, remarked:
“Good-by, Mme. _Gros-tas_, and I hope I shall never see you again.” She
then ran off, laughing merrily. I heard Mme. Petit mutter a few
disagreeable words in Dutch, but I did not understand the meaning of
them at the time. We then went to the workshop and found old Massin at
his workbench, planing some small planks of white wood. His hunchback
daughter kept coming in and out, humming gayly all the time. The father
was glum and harassed, and had an anxious look. As soon as we had
ordered the box we took our leave. Mme. Petit went out first and
Léontine’s sister then put her hand into mine and said quietly:
Public-domain text, read in full here on John Shaqi.
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