Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
_L’Opinion Nationale_, September 12th.... “The same evening ‘Les Femmes
Savantes’ was given. This was Mlle. Bernhardt’s third appearance, and
she took the rôle of _Henriette_. She was just as pretty and
insignificant in this as in that of _Junie_ (he had made a mistake, as
it was _Iphigénie_ I had played) and of _Valérie_, both of which rôles
had been entrusted to her previously. This performance was a very poor
affair, and gives rise to reflections by no means gay. That Mlle.
Bernhardt should be insignificant does not so much matter. She is a
débutante, and among the number presented to us it is only natural that
some should be failures. The pitiful part is, though, that the comedians
playing with her were not much better than she was, and they are
_Sociétaires_ of the Théâtre Français. All that they had more than their
young comrade was a greater familiarity with the boards. They are just
as Mlle. Bernhardt may be in twenty years’ time, if she stays at the
Comédie Française.”
I did not stay there, though; for one of those nothings which change a
whole life changed mine. I had entered the Comédie expecting to remain
there always. I had heard my godfather explain to my mother all about
the various stages of my career.
“The child will have so much during the first five years,” he said, “and
so much afterwards, and then at the end of thirty years she will have
the pension given to Associates, that is, if she ever becomes an
Associate.” He appeared to have his doubts about this.
My sister Régina was the cause, though quite involuntarily this time, of
the drama which made me leave the Comédie. It was Molière’s anniversary,
and all the _artistes_ of the Français had to salute the bust of the
great writer, according to the tradition of the theater. It was to be my
first appearance at a “ceremony” and my little sister, on hearing me
tell about it at home, besought me to take her to it.
My mother gave me permission to do so, and our old Marguerite was to
accompany us. All the members of the Comédie were assembled in the
_foyer_. The men and women, dressed in different costumes, all wore the
famous doctor’s cloak. The signal was given that the ceremony was about
to commence, and everyone hurried to the corridor where the busts were.
I was holding my little sister’s hand, and just in front of us was the
very fat and very solemn Mme. Nathalie. She was a _Sociétaire_ of the
Comédie, old, spiteful, and surly.
Régina, in trying to avoid the train of Marie Roger’s cloak, stepped on
to Nathalie’s, and the latter turned round and gave the child such a
violent push that she was knocked against a column holding a bust.
Régina screamed out, and, as she turned back to me, I saw that her
pretty face was bleeding.
Public-domain text, read in full here on John Shaqi.
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