Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
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Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
She was usually calm, but she kept coming in and out of the room, and
when Marguerite put her head in at the door to ask whether she should
serve the luncheon, my mother told her to wait.
Finally, the bell rang, startling my mother and Jeanne. My little sister
was evidently in the secret.
“Well, it’s settled!” exclaimed my godfather, shaking the snow from his
hat. “Here, read that, you self-willed girl.”
He handed me a letter stamped with the words “_Théâtre du Gymnase_.” It
was from Montigny, the manager at this theater, to M. De Gerbois, a
friend of my godfather’s, whom I knew very well. The letter was very
friendly, as far as M. De Gerbois was concerned, but it finished with
the following words: “I will engage your _protégée_ in order to be
agreeable to you ... but she appears to me to have a vile temper.”
I blushed as I read these lines and I thought my godfather was wanting
in tact, as he might have given me real delight and avoided wounding me
in this way; but he was the clumsiest-minded man that ever lived. My
mother seemed very much pleased, so that I kissed her pretty face, and
thanked my godfather. Oh, how I loved kissing that pearly face, which
was always so cool, and always slightly dewy! When I was a little child
I used to ask her to play at butterfly on my cheeks with her long
lashes, and she would put her face close to mine and open and shut her
eyes, tickling my cheeks while I lay back breathless with delight.
The following day I went to the Gymnase. I was kept waiting for some
little time, together with about fifty other girls. M. Monval, a cynical
old man who was stage manager and almost general manager, then
interviewed us. I liked him at first, because he was like M. Guérard,
but I very soon disliked him. His way of looking at me, of speaking to
me, and of taking stock of me generally, roused my ire at once. I
answered his questions curtly and our conversation, which seemed likely
to take an aggressive turn, was cut short by the arrival of M. Montigny,
the manager.
“Which of you is Mlle. Sarah Bernhardt?” he asked.
I at once rose and he continued:
“Will you come into my office, mademoiselle?”
Montigny had been an actor, and was plump and good-humored. He appeared
to be somewhat infatuated with his own personality, with his _ego_, but
that did not matter to me. After some friendly conversation, he preached
a little to me about my outburst at the Comédie and made me a great many
promises about the rôles he should give me. He prepared my engagement
and gave it to me to take home for my mother’s signature and that of my
family.
“I am quite free,” I said to him, “so that my own signature is all that
is required.”
“Oh, very good!” he said, “but what nonsense to give such a self-willed
girl full liberty. Your parents did not do you a good turn by that.”
Public-domain text, read in full here on John Shaqi.
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