Memories of the future : $b Being memoirs of the years 1915‒1972, written in the year of grace 1988Knox, Ronald Arbuthnott
History
Memories of the future : $b Being memoirs of the years 1915‒1972, written in the year of grace 1988
Knox, Ronald Arbuthnott
English fiction -- 20th century; Satire, English; Twentieth century -- Forecasts
He proceeded to tell us, with his well-known clutching gesture, that
while he had had many proud moments in his political career, none had
been prouder than that at which he rose to address an audience so
enlightened and so broad-minded as ours, in a political centre of such
unique importance as this. We had met at a crisis in the history of our
nation. Great issues hung in the balance, to be decided once for all,
and to carry with them, in accordance with that decision, the
dissolution of our Empire or its reconstruction on a nobler, a fairer,
and a more permanent basis. (Here the gramophone was stopped for a few
moments, and the statesman’s face was enlarged on the screen, to give us
the full benefit of his expression.) There were some, there would always
be some, who were ready to cry “Halt!” at the moment of victory, and to
arrest the march of progress, if they could, in mid career. He hoped
that those were not the feelings with which we had come into the hall
to-night. For himself, he was convinced that we stood on the threshold
of a newer and a fairer world. (Here a voice interrupted him with “What
about McClosky?”—the bomb-thrower who was then under sentence of
execution.) He naturally took no notice of the interruption.
Unfortunately, a certain section of the audience were impatient to hear
his views on this particular issue, and began to sing “And shall
McClosky die?” in a very loud and threatening voice. It being impossible
to disconnect the cinemaphone all at once, a large part of Mr. Holroyd’s
sentiments were inaudible. The tumult subsided when the lights went up,
but, as it proved, only temporarily. The film was no sooner released
than a dastardly crowd began to hurl a varied assortment of missiles at
the figure of the venerable statesman; which, however, fortunately did
no damage, as the pictures were being thrown direct on to a concrete
wall: an ink-pot left a slight but disfiguring blotch somewhere in the
region of Mr. Holroyd’s waistcoat. The rowdy element, however, were not
satisfied with this; several of them made an attempt to rush the
cinema-operator. They were thwarted in their purpose and sand-bagged by
the police; but the operator seemed to have lost his nerve, and from
that time onwards the film was anything but a success. Again and again
it was clear that the gestures on the screen were not accurately timed
to correspond to the words; again and again the attempt was made to
readjust the timing, but always unsuccessfully. At last, at the end of
an impassioned period, my leader was seen to refresh himself with a
drink of water. But, to our surprise, the glass which he took up in the
picture was an empty one, and a moment later, to the vociferous delight
of the whole audience, it became painfully clear that the film had been
put in wrong end on! I cannot profess that the meeting after that was a
wholly serious one, or that my speech was anything but a frost by
comparison.
Public-domain text, read in full here on John Shaqi.
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