Germany -- Court and courtiers; William II, German Emperor, 1859-1941
The wedding procession returns to the beautiful _Weisser Saal_, where a
regimental band, usually that of the Garde du Corps, is stationed in the
gallery. Here, at a signal from an official, the music begins: slow
stately marches are played, old-world tunes that seem an echo of past
times. The royal ladies are all seated with their parti-coloured trains,
which seem somehow to be the chief feature of all state functions,
spread out in front of them--while rows of red-clad pages stand behind
their chairs waiting to advance when the time arrives.
From the side entrance of the Saal, stepping in time to the music,
enters the Marshal of the Court carrying his wand of office, preceding a
double row of twenty-four pages who bear large torches. In stately
rhythm they move once round the room, when the Marshal stops, and bows
to the bride and bridegroom, who at once descend from the
slightly-raised platform where they sit, and hand-in-hand, preceded by
the torch-bearers, with four ladies carrying the bride’s train, the
group moves round the Hall in time to the music. I have seen this
ceremony four times, at as many royal weddings, and cannot express its
wonderful fascination, its mixture of poetry and romance, its glamour of
colour, its irresistible charm to the beholder. There is the lulling
monotony of sound, the flicker and smoke of the torches, the brilliant
blending of many tones, the dignified movement of the dancers, the crowd
of seated royalties opposite the crowd of standing courtiers. It takes
on something of the aspect of a fairy tale, is reminiscent of
“Cinderella” or of a half-forgotten ballad of bygone days.
The bride and bridegroom having made their tour of the room once alone,
return and separate, the bride now taking out the Emperor and her own
nearest male relative, while the bridegroom leads out his mother and
that of the bride, and they again march slowly round the room. All the
ladies’ trains, excepting those of the bride and the Empress, are
carried by four pages, the two exceptions by four ladies who themselves
wear trains. And so round after round bride and bridegroom return and
hand out the rest of the Princes and Princesses in turn.
In order to hasten matters, towards the end three or four of the younger
ones are linked together on either hand, and a chain of happy, smiling
youth treads the last stately measure round the Hall.
The Torch Dance finishes, and the torch-bearers wend their way out,
followed by the long glittering procession, away to the private
apartments. The ceremonies are at an end. It is nine o’clock, and
presently, if you listen, you may hear the cheers of the people in the
street greeting the bridal couple as they drive quickly through the
summer darkness on their way to the station.
Public-domain text, read in full here on John Shaqi.
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