At the entrance to the village of Rominten itself, young pine trees cut from the woods had been set at intervals along the road and triumphal garlands of pine-branches stretched across it. Before the entrance to the Schloss were ranged lines of sturdy woodmen and foresters in their smart uniforms of soft olive-green, holding torches in their hands, for the night falls early in this region and the immense trees growing so close to the house intercept a good deal of light. In the inner gravelled space between the two parts into which the Schloss is divided were waiting the head-foresters, gentlemen of education and culture, who are trained for some years in the excellent schools of forestry which are to be found in Germany. Baron Speck von Sternburg, whose brother was at that time German Ambassador in Washington, was also there to meet Their Majesties. He is the Head Administrator of the whole forest, lives and moves among it from year to year, and knows every stag almost that roams its immense solitudes. He is responsible for the Emperor’s sport, makes all preliminary arrangements, knows by heart the habits, almost the thoughts of the deer, and can tell at what particular moment they will come out to browse on the open meadows that are to be found dotted about like small green islands in the vast ocean of trees. All the head foresters’ houses are in telephonic communication with the Schloss itself, so that they can send word at once of any animal paying an unexpected visit, as sometimes wolves and elk have been known to wander over the Russian frontier close by. The Emperor, almost before he has well descended from his carriage, plunges at once into hunting-talk with Herr von Sternburg, while the Empress and the Princess, after greetings and introductions, enter the house to explore their new habitation. The Schloss is really two houses, built entirely of pine logs, connected by an overhead gallery supported on massive pine stems as thick as the masts of a ship. In every room the walls consist of the bare logs, which have been trimmed into a slightly oval form and then laid one on the top of the other, the whole being smoothly varnished. Tables and chairs are made of the same wood, and the green carpets of a moss-like pattern carry on the woodland suggestion. The roof is deep and low, and the upper story has a gallery running its length, which overshadows the windows of the lower rooms, making them rather dark. The fireplaces and chimneys are made of unglazed red brick, and the fire of logs is built on a wide flat hearth, raised a little above the floor level. They too are, of course, also Norwegian in character, running up in a Gothic pinnacled form. All is very simple and solidly, almost ruggedly, built. The log walls have one drawback. Smells and sounds penetrate their crevices very easily. If the footman in the basement indulges in a cigar, the Empress in her sitting-room upstairs is instantly aware of it.