Germany -- Court and courtiers; William II, German Emperor, 1859-1941
Along one side of this courtyard, situated in the basement of the
Schloss itself, close to and on a line with the _Hohenzollern Treppe_,
the recognized door of arrival for the Empress and her children as well
as for the ladies and gentlemen of the suite, are the barracks for the
Schloss Guard. While the Court is in residence the guard spends its time
in perpetual rushes and drummings, for no princely personage can arrive
or depart without that long line of soldiers presenting arms to the
throbbing drum-beat accompaniment. It sounds intermittently from early
morning till late at night: the constant rapid beat of feet on the
cobble-stones as the soldiers snatch their arms and fall into line, the
silence, the military command, and then the long continuous rumble,
while the royal or princely personage of whatever size or age, descends
from his or her carriage, salutes, and disappears into the Schloss up
the very plain and simple stairway leading to the apartments of the
Royal Family. All coachmen when driving royalty wear a broad
hatband embroidered with the Prussian Eagle--what is called a
_Breite-Tresse_--which can be easily removed if necessary, leaving
uncovered the plain silver band which denotes the presence of only
obscure individuals who are spared the more onerous honours.
A deep archway leads from the large courtyard into a smaller, more
secluded one, where is the entrance to the staircase which the Emperor
uses. On each side of the large “Hof” are big, heavy, iron gates kept
by soldiers, who all day long close and open them to the passing
carriages and other traffic.
On New Year’s morning the courtyard is pervaded by footmen in gay
uniforms with very chilly-looking pink silk legs, who pick their way
gingerly over the round cobble-stones, hastening here and there in a
very busy preoccupied manner.
Before the _Gratulations-Cour_ takes place, a service is held in the
chapel of the Schloss, at which all the ambassadors, consuls and other
diplomatic officials are present in uniform. They usually spend the time
before the entrance of the royalties in wandering about and chatting
with each other, till some one gives a warning tap on the marble floor,
and the hum sinks into silence, broken by the music of the band
stationed in the gallery above, for the chapel has no organ.
In the evening a special performance is given at the Opera, at which the
whole Royal Family appears; and sometimes the Court returns next day to
the New Palace, but more often remains in Berlin for the season, which
practically begins with the Emperor’s birthday on January 27.
Public-domain text, read in full here on John Shaqi.
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