Travelling makes us feel the narrow boundaries which have been set for
the working of man’s brain. Wander over the face of the earth and you
will find the same proverbs, the same fairy-tales, the same legends, the
same ghosts, the same superstitions—even the same jokes. You will find
the stories of Boccaccio and the “Cent Nouvelles Nouvelles” repeated
in China and Japan. In all these cases the difference is only in the
clothing in which local custom dresses them. So with religious offerings:
we lay our roses and lilies and violets upon the altar; the Singhalese
brings the champak; the idea is the same. Flowers and lamps! Like the
vestal virgins, all men light fire in their sacred places.
Other relics were given by King Asoka. Dagobas were raised to contain
these—colossal structures of solid brickwork with a tiny receptacle for
the sacred treasure. So the new religion flourished greatly and the piety
of successive kings founded great monasteries containing thousands of
monks, little heeding that these comfortable homes were the negation
of a rule as strict as that of St. Francis, which enjoined upon the
yellow-robed shavelings no better dwelling than a “pansala,” a shelter of
leaves.
Fancy and imagination are wonderful architects, but it is hard even for
them to build up a semblance of the glories of Anuradhapura as they must
have been in the days when the great Brazen Palace, of which the sixteen
hundred jagged stone pillars still stand, upheld a colony of some two
thousand monks in its nine stories: days when, scattered over the vast
plain, buildings the magnificence of which is witnessed in the sculptured
stones, seven-headed Nagas, and elaborately carved moonstones, huge half
discs of granite decorated with processions of elephants, lions, horses
and the sacred goose (hansa), and scroll-work that is almost Italian in
feeling, rose at the bidding of an art which had reached its zenith when
we were still in darkness. Gold, precious gems, and colours were used
in profusion to adorn what is now the mere wreckage of a past barbaric
grandeur, swallowed up in the riotous vegetation of the tropics. Fa Hsien
bears eloquent witness to the wealth of flowers used in the worship at
the temples, and the richness of the innumerable royal gardens is a
matter of history.
As regards the authenticity of the Bō tree, Tennent argues well that it
must be the identical tree and no substitute planted to replace one that
had died. Had that tree, sacred throughout the East, died, its death
could not have been concealed; the emotion created by the news would have
been too deep. The story of the loss must have penetrated furthest Asia.
Public-domain text, read in full here on John Shaqi.
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