There is a certain quaint charm, an individuality, about the old German
towns that once upon a time, in days which are after all not so very
remote, were the seats of small princely Courts and Governments. Bayreuth
was a typical example of an old “Residenz.” Broad streets flanked by
substantial houses, squares with fountains or statues adorning their
centres, an old palace or castle—the relic of feudal times—and a more
modern palace of French eighteenth-century inspiration; outside the town
a “Hermitage,” with a Temple of the Sun, sham ruins and other rococo
follies built of cement plastered with mosaics of coloured stone and
rock-crystal or glass, in a garden with deliciously shaded, cool walks:
these are the legacies of former glories, when the “high-well-born”
who crowded to the palace elbowed and jostled for a bow, a smile, or a
gracious word from a Markgraf or a Markgräfin with all the honour-hunger
of men and women in all times and in all Courts.
Think of the bitterness and mortification of a lady left out from a
garden-party at the Hermitage when there were to be private theatricals
in the Roman Theatre, at which Voltaire was to be stage-manager and act
with her Royal Highness in person! Think of the triumph, not untinged
with spite, of her next-door neighbour who could flaunt in her face
the coveted invitation card! Oh, it was a very real Court! There were
chamberlains with their wands; ladies-in-waiting, maids-of-honour,
privy councillors, officials of all grades, an army chiefly composed
of officers. There were hoop petticoats, powder and rouge and patches,
red-heeled shoes, and if there were not many diamonds we may be sure that
there was plenty of paste. Just such a Court as Thackeray and Offenbach
loved to make fun of, and even Frederick the Great, as we shall presently
see, made the target at which to sling his ridicule.
Hauff, writing in the first years of the nineteenth century, in his
sardonic “Memoiren des Satans,” whom, by the by, he represents as taking
a special interest in the pigmy Courts, makes Satan ask the Wandering
Jew whether there is anything more grotesque to be seen than “diese
duodez Länder,” these duodecimo countries. So it was not foreigners
only who laughed at the absurdities which they presented. However, _de
mortuis nil nisi bonum_. All now vanished! Gone the transparencies,
gone the chamberlains and the Court ladies, gone General Bourn and his
staff! All shades—shades that have crossed the Styx. The metamorphosis
is complete. The palaces are used as museums or public offices, the
houses of the “high-well-born” are shops and places of business, the
fountains, in which admiring courtiers saw the rivals of the Grandes Eaux
de Versailles, play for an hour on Sundays for the benefit of honest
burghers waxing fat upon their afternoon lager, as good Bavarians should,
in the groves of the once exclusive Hermitage, turned by the wheel of
time into a glorified beer-garden.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account