The last years of the Markgräfin’s chequered life were by far the
happiest. Their correspondence during those years shows the revival
of a complete understanding between Frederick the Great and her, and
bears every witness of mutual admiration. He appreciated her undoubted
talents; she sympathized with his endeavours and gloried in his success.
Their affection was warmer and more real than it had been even in their
childhood. She speaks of it with delight as a “retour de sentiments des
personnes qu’on aime.”
Besides this natural source of a great joy there was also her
intellectual friendship with Voltaire. She made his acquaintance in 1740
at Reinsberg, a country place where the great Frederick had gathered
together a whole assembly of men of letters and science, whom in
spare moments he refreshed with his flute. Three years later Voltaire
accompanied the King to Bayreuth, where he outstayed his royal patron
for a fortnight, during which he helped the Markgräfin in a whole series
of entertainments and theatricals. Their correspondence, in which
she delighted, lasted till her death, upon which he wrote one of the
trashiest sonnets that ever appeared signed by a great name. The editor
of her journal calls it a “monument immortel”!
The Markgräfin Wilhelmine was not only a woman of remarkable talent, but
she was a Princess typical of the times in which she lived and of the
position which she occupied. If she did not directly play a leading part
in the historical events of those days, she was intimately mixed up with
those who did. She left her mark upon her husband’s principality, and it
will always be difficult to think of Bayreuth without remembering her as
a most notable personality in its princely family.
Times have changed; but if the tinsel of a pinchbeck Court has
disappeared, Bayreuth to-day is more brilliant and more famous than it
was in the days when the smiles or frowns of the Markgrafen and their
consorts made the Paradise or the Gehenna of their courtiers. Then the
old Franconian capital could hardly have been known outside of Germany
or Austria, and even there it only ranked as one of many such towns. Now
the mighty genius of one man has transformed it into the Mecca of a great
cult, celebrated wherever the magic power of poetry, music, and art holds
sway, drawing the willing pilgrims to its shrine.
Public-domain text, read in full here on John Shaqi.
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