There was a moment of financial difficulty when the fate of Bayreuth
trembled in the balance; she has swept away all doubt, and her enthusiasm
has been so infectious that the little Franconian town has become one of
the centres of the world’s culture: all its past is forgotten, even Jean
Paul is hardly remembered, so all-absorbing is the Wagnerian aura. Royal
personages, the princes in the several realms of art, science, letters,
and politics, men and women famous in all the walks of life, have made
these celebrations their trysting-place, and people who elsewhere grumble
at the highest extravagance of luxury are content to put up with the
simplest of fare and the humblest accommodation if only they may be
allowed to lay their tribute on the high altar of genius.
A gathering at Wahnfried is something to remember; it is a goodly
company, a cosmopolitan galaxy of talent. Failing health prevents the
great hostess from welcoming her guests in person, but she is well
represented by her children, Siegfried Wagner and his sister, round whom
are assembled all the most distinguished of the visitors to the town. It
is a company in which a man must needs feel very humble. For here every
one has achieved something in the world. Here is a recognized authority
as antiquary and historian; there the great physician who watched over
Prince Bismarck’s latest years: famous musicians, learned professors,
a few notable soldiers, are much to the front: one lady is translating
into German an American philosophical work; other ladies are engaged in
various branches of art; some are successful actresses, others well-known
and cherished singers; here are painters who have achieved fame, younger
men who are climbing that same giddy ladder; of literary men there is no
lack. The conversation is brilliant; it is only interrupted now and then
by such music as would compel even the Philistines to hold their peace.
It would be strange indeed if in the home of Richard Wagner obedience
were not given to the old Italian warning, “Il più grande omaggio alla
musica è il silenzio.”
CHAPTER XLIII
A LAST WORD
Since my memory of what took place at St. Petersburg in 1864 was made
ready for the printer, the storm which some of us foresaw as the
inevitable consequence, sooner or later, of the shameless betrayal of
Denmark in that year, has burst upon the world in all the fulness of its
fury. Never have the vials of wrath been poured upon mankind with such
remorseless cruelty; of that cup of a poison which has been brewing for
fifty years we now have to drink the bitter dregs.
Public-domain text, read in full here on John Shaqi.
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