Men of the Old Stone Age: Their Environment, Life and ArtOsborn, Henry Fairfield
History
Men of the Old Stone Age: Their Environment, Life and Art
Osborn, Henry Fairfield
Art, Primitive; Prehistoric peoples; Stone age
[Illustration: FIG. 129. Mousterian 'points' and scrapers from various
parts of Europe, as interpreted by de Mortillet. In some cases both sides
of the implement are shown; all are one-quarter actual size except 101,
which is one-half actual size. 100--De Mortillet's theory of the manner of
using the Mousterian 'point,' which was held in the hand and not shafted.
101--Mousterian point from Suffolk, England. 102--Mousterian point from
Umbria, Italy. 103, 104--A single flake point from the Crimea, in southern
Russia. 105, 106--A long, narrow Mousterian point from Oise, France.
107--A curved-in scraper, or _grattoir_, from Dordogne, France; perhaps an
implement for dressing a wooden spear or lance. 108--Bone splinter, broken
for the marrow, but not shaped.]
In consequence, the coup de poing, fashioned from the core of the nodule,
begins to play a very secondary rôle and occurs but rarely in the
Mousterian levels. Even at St. Acheul, the very centre of its former
reign, we begin to find decadent forms and poor workmanship, which make it
difficult to recognize that these are the successors of the finely
retouched Acheulean coups de poing. While the coups de poing at the type
station of Le Moustier continue to retain the old Acheulean patterns--the
oval, the heart-shaped, the sharp-pointed--they are all of smaller size
and rather coarsely retouched. Thus, after thousands of years of
development and employment, the coup de poing falls into a period of
degeneration and of final disuse. The history of this. implement, which we
have traced from its Pre-Chellean prototypes, presents a most interesting
analogy with the course of evolution observed in so many animal and plant
forms. It passes through many stages of improvement and reaches a climax
of perfection and adaptation; it then comes into competition with another
form evolving on a fundamentally different and superior plan and
disappears in the struggle for existence through the greater usefulness of
the replacing type.
SUCCESSIVE STAGES IN THE MOUSTERIAN INDUSTRY
The succession of industrial stages is best shown along the Vézère. The
oldest Mousterian industry is that of Combe-Capelle with its heart-shaped,
roughly fashioned coups de poing, entirely lacking, however, any evidence
of a surface prepared for the grasp of the hand.
In the valley of the Somme Commont(74) has observed the three following
stages in the advance of the Mousterian industry:
3. A late Mousterian culture which lies on the upper layers near the
top of the same gravel deposit and which shows entirely new technical
elements. The old coup-de-poing culture is no longer valued, and all
the implements found here are of flakes worked only on one side and
with an extraordinarily fine retouch.
2. A middle Mousterian horizon which lies in the lower layers of a
gravel deposit, belonging to the 'newer loess,' and which contains
only _one_ small coup de poing.
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