Men of the Old Stone Age: Their Environment, Life and ArtOsborn, Henry Fairfield
History
Men of the Old Stone Age: Their Environment, Life and Art
Osborn, Henry Fairfield
Art, Primitive; Prehistoric peoples; Stone age
Many of these are formed at the end of a
blade; a few are circular, and others are at the opposite end of a pointed
blade; the latter are particularly fine and are retouched around the
entire edge. But the artist did not merely carve his subjects; he also
coated them with a paint made of ochre and manganese; he crushed his
coloring matter on a palette of schist, and we have found one of these
unbroken and still bearing the red and ochre colors. This palette is
10-1/2 inches long and 6 inches wide; it is oblong in form.
DISTRIBUTION OF THE SOLUTREAN INDUSTRY
The period of the Solutrean industry is one of the most difficult to
interpret in the whole prehistory of western Europe. The remains of this
industry in several localities lie directly between those of the
Aurignacian and the Magdalenian; in others, as at Solutré, they directly
follow the Aurignacian. There is no doubt that this represents a very long
and a very important epoch in Upper Palæolithic development. From the
cultural standpoint it represents a climax in the flint industry, but a
period of suspension or of arrested development in art.
A glance at the maps of the Mousterian (Fig. 125), the Aurignacian (Fig.
153), and the Solutrean (Fig. 167) culture stations shows that the
geographic distribution of the Solutrean is entirely unique; whereas the
Aurignacian culture may be said to girdle the Mediterranean, both on its
southern and northern coasts, the Solutrean culture is absent in this
entire region. The interpretation of this strange phenomenon offered by
Breuil, that the Solutrean culture entered Europe directly from the east
and not from the south, may be connected with the theory that toward the
end of Aurignacian times a new race from the central east was working
westward through Hungary and along the Danube--a race of inferior mental
type, but extremely expert in fashioning the flint spears and lances with
what is known as the Solutrean 'retouch.' This may be the race of Brünn,
Brüx, and Předmost, the remains of which are found in two localities
associated with these highly perfected flint spear heads. Either by the
invasion of this race or, more probably, by the invasion of the highly
perfected spear-head industry itself, the type station of Solutré, on the
Saône, was established and the region of Dordogne reached, where this
industry progressed at twelve different stations.
[Illustration: FIG. 167. Geographic distribution of the principal
Solutrean industrial stations in western Europe.]
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