Men of the Old Stone Age: Their Environment, Life and ArtOsborn, Henry Fairfield
History
Men of the Old Stone Age: Their Environment, Life and Art
Osborn, Henry Fairfield
Art, Primitive; Prehistoric peoples; Stone age
The cavern of Combarelles, discovered in 1901, in Dordogne, near Les
Eyzies, contains by far the most remarkable record of early Magdalenian
art; there are upward of four hundred drawings and engravings representing
almost every animal of early Magdalenian times, among them the horse,
rhinoceros, mammoth, reindeer, bison, stag, ibex, lion, and wolf; there
are also between five and six representations of the men of the time, both
masked and unmasked; the style is more recent than that of the oldest
drawings in Font-de-Gaume, but much more ancient than the period of
polychrome art.[AY] The gallery is 720 feet long, and barely 6 feet broad;
the drawings begin about 350 feet from the entrance, and are scattered at
irregular intervals to the very end. In general the art is very fine and
evidently largely the work of one artist; representations of the woolly
rhinoceros and of the mammoth are very true to life; there is a pair of
splendid lions, male and female; the drawings of the horse are abundant,
and side by side we have a representation of several types of horses, the
pure forest type with the arched forehead, the small, fine-headed Celtic
type, and a larger type reminding us of the kiang, or wild ass. Here the
greater part of the work is engraving, as contrasted with the painted
outlines in the cavern of Niaux and with the etched outlines of the Grotte
de la Mairie.
[Illustration: FIG. 201. Entrance to the cavern of Combarelles near Les
Eyzies, Dordogne, where upward of four hundred wall engravings have been
discovered. Photograph by Belvès.]
[Illustration: FIG. 202. Cave-bear engraved in outline, from the cavern of
Combarelles. After Breuil.]
[Illustration: FIG. 203. Stone lamp of Magdalenian age discovered in the
grotto of La Mouthe by E. Rivière. It is cut in sandstone and ornamented
on the lower surface with the head and horns of the ibex. Such lamps were
doubtless used by the artists to light the deep recesses of the caverns.
After Rivière, redrawn by Erwin S. Christman. One-third actual size.
(Compare Pl. VII.)]
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