Short stories; United States -- Social life and customs -- 19th century -- Fiction
One of the feats of the train is an electric button in each
compartment. Commonly an electric button is placed high on the side of
the carriage as an alarm signal, and it is unlawful to push it unless
one is in serious need of assistance from the guard. But these bells
also rang in the dining-car, and were supposed to open negotiations for
tea or whatever. A new function has been projected on an ancient
custom. No genius has yet appeared to separate these two meanings. Each
bell rings an alarm and a bid for tea or whatever. It is perfect in
theory then that, if one rings for tea, the guard comes to interrupt
the murder, and that if one is being murdered, the attendant appears
with tea. At any rate, the guard was forever being called from his
reports and his comfortable seat in the forward end of the luggage-van
by thrilling alarms. He often prowled the length of the train with
hardihood and determination, merely to meet a request for a sandwich.
The train entered Carlisle at the beginning of twilight. This is the
border town, and an engine of the Caledonian Railway, manned by two men
of broad speech, came to take the place of the tandem. The engine of
these men of the North was much smaller than the others, but her cab
was much larger, and would be a fair shelter on a stormy night. They
had also built seats with hooks by which they hang them to the rail,
and thus are still enabled to see through the round windows without
dislocating their necks. All the human parts of the cab were covered
with oilcloth. The wind that swirled from the dim twilight horizon made
the warm glow from the furnace to be a grateful thing.
As the train shot out of Carlisle, a glance backward could learn of the
faint, yellow blocks of light from the carriages marked on the dimmed
ground. The signals were now lamps, and shone palely against the sky.
The express was entering night as if night were Scotland.
There was a long toil to the summit of the hills, and then began the
booming ride down the slope. There were many curves. Sometimes could be
seen two or three signal lights at one time, twisting off in some new
direction. Minus the lights and some yards of glistening rails,
Scotland was only a blend of black and weird shapes. Forests which one
could hardly imagine as weltering in the dewy placidity of evening sank
to the rear as if the gods had bade them. The dark loom of a house
quickly dissolved before the eyes. A station with its lamps became a
broad yellow band that, to a deficient sense, was only a few yards in
length. Below, in a deep valley, a silver glare on the waters of a
river made equal time with the train. Signals appeared, grew, and
vanished. In the wind and the mystery of the night, it was like sailing
in an enchanted gloom. The vague profiles of hills ran like snakes
across the somber sky. A strange shape boldly and formidably confronted
the train, and then melted to a long dash of track as clean as
sword-blades.
Public-domain text, read in full here on John Shaqi.
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