Short stories; United States -- Social life and customs -- 19th century -- Fiction
Where the path wended across the ridge, the bushes of huckleberry and
sweet fern swarmed at it in two curling waves until it was a mere
winding line traced through a tangle. There was no interference by
clouds, and as the rays of the sun fell full upon the ridge, they
called into voice innumerable insects which chanted the heat of the
summer day in steady, throbbing, unending chorus.
A man and a dog came from the laurel thickets of the valley where the
white brook brawled with the rocks. They followed the deep line of the
path across the ridges. The dog--a large lemon and white
setter--walked, tranquilly meditative, at his master's heels.
Suddenly from some unknown and yet near place in advance there came a
dry, shrill whistling rattle that smote motion instantly from the limbs
of the man and the dog. Like the fingers of a sudden death, this sound
seemed to touch the man at the nape of the neck, at the top of the
spine, and change him, as swift as thought, to a statue of listening
horror, surprise, rage. The dog, too--the same icy hand was laid upon
him, and he stood crouched and quivering, his jaw dropping, the froth
of terror upon his lips, the light of hatred in his eyes.
Slowly the man moved his hands toward the bushes, but his glance did
not turn from the place made sinister by the warning rattle. His
fingers, unguided, sought for a stick of weight and strength. Presently
they closed about one that seemed adequate, and holding this weapon
poised before him the man moved slowly forward, glaring. The dog with
his nervous nostrils fairly fluttering moved warily, one foot at a
time, after his master.
But when the man came upon the snake, his body underwent a shock as if
from a revelation, as if after all he had been ambushed. With a
blanched face, he sprang forward and his breath came in strained gasps,
his chest heaving as if he were in the performance of an extraordinary
muscular trial. His arm with the stick made a spasmodic, defensive
gesture.
The snake had apparently been crossing the path in some mystic travel
when to his sense there came the knowledge of the coming of his foes.
The dull vibration perhaps informed him, and he flung his body to face
the danger. He had no knowledge of paths; he had no wit to tell him to
slink noiselessly into the bushes. He knew that his implacable enemies
were approaching; no doubt they were seeking him, hunting him. And so
he cried his cry, an incredibly swift jangle of tiny bells, as burdened
with pathos as the hammering upon quaint cymbals by the Chinese at
war--for, indeed, it was usually his death-music.
"Beware! Beware! Beware!"
Public-domain text, read in full here on John Shaqi.
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