Short stories; United States -- Social life and customs -- 19th century -- Fiction
At the end of the hall there was a grim portal marked "lift." I pressed
an electric button and heard an answering tinkle in the heavens. There
was an upholstered settle near at hand, and I discovered the reason. A
deer-stalking peace drooped upon everything, and in it a man could
invoke the passing of a lazy pageant of twenty years of his life. The
dignity of a coffin being lowered into a grave surrounded the ultimate
appearance of the lift. The expert we in America call the elevator-boy
stepped from the car, took three paces forward, faced to attention and
saluted. This elevator boy could not have been less than sixty years of
age; a great white beard streamed towards his belt. I saw that the lift
had been longer on its voyage than I had suspected.
Later in our upward progress a natural event would have been an
establishment of social relations. Two enemies imprisoned together
during the still hours of a balloon journey would, I believe, suffer a
mental amalgamation. The overhang of a common fate, a great principal
fact, can make an equality and a truce between any pair. Yet, when I
disembarked, a final survey of the grey beard made me recall that I had
failed even to ask the boy whether he had not taken probably three
trips on this lift.
My windows overlooked simply a great sea of night, in which were
swimming little gas fishes.
CHAPTER VII
I have of late been led to reflect wistfully that many of the
illustrators are very clever. In an impatience, which was donated by a
certain economy of apparel, I went to a window to look upon day-lit
London. There were the 'buses parading the streets with the miens of
elephants There were the police looking precisely as I had been
informed by the prints. There were the sandwich-men. There was almost
everything.
But the artists had not told me the sound of London. Now, in New York
the artists are able to portray sound because in New York a dray is not
a dray at all; it is a great potent noise hauled by two or more horses.
When a magazine containing an illustration of a New York street is sent
to me, I always know it beforehand. I can hear it coming through the
mails. As I have said previously, this which I must call sound of
London was to me only a silence.
Public-domain text, read in full here on John Shaqi.
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