Ghost stories, American; United States -- Social life and customs -- 19th century -- Fiction
"Nannie," says I, "you can let the lamp smoke all you want to!"
"Aaron--" she began, just as she had begun that other night,--"Aaron--"
but she didn't finish, and--Well, well, no matter; I guess you don't
want to hear any more, do you?
But sometimes I think, Johnny, when it comes my time to go,--if ever it
does,--I've waited a good while for it,--the first thing I shall see
will be her face, looking as it looked at me just then.
Calico.
It was about time for the four-o'clock train.
After all, I wonder if it is worth telling,--such a simple, plotless
record of a young girl's life, made up of Mondays and Tuesdays and
Wednesdays, like yours or mine. Sharley was so exactly like other
people! How can it be helped that nothing remarkable happened to her?
But you would like the story?
It was about time for the four-o'clock train, then.
Sharley, at the cost of half a sugar-bowl (never mind syntax; you know I
mean the sugar, not the glass), had enticed Moppet to betake himself out
of sight and out of mind till somebody should signify a desire for his
engaging presence; had steered clear of Nate and Methuselah, and was
standing now alone on the back doorsteps opposite the chaise-house. One
could see a variety of things from those doorsteps,--the chaise-house,
for instance, with the old, solid, square-built wagon rolled into it
(Sharley passed many a long "mending morning" stowed in among the
cushions of that old wagon); the great sweet-kept barn, where the sun
stole in warm at the chinks and filtered through the hay; the well-curb
folded in by a shadow; the wood-pile, and the chickens, and the
kitchen-garden; a little slope, too, with a maple on it and shades of
brown and gold upon the grass; brown and golden tints across the hills,
and a sky of blue and gold to dazzle one. Then there was a flock of
robins dipping southward. There was also the railroad.
Sharley may have had her dim consciousness of the cosey barn and
chicken's chirp, of brown and gold and blue and dazzle and glory; but
you don't suppose _that_ was what she had outgeneralled Moppet and
stolen the march upon Nate and Methuselah for. The truth is, that the
child had need of none of these things--neither skies nor dazzle nor
glory--that golden autumn afternoon. Had the railroad bounded the
universe just then, she would have been content. For Sharley was only a
girl,--a very young, not very happy, little girl,--and Halcombe Dike was
coming home to spend the Sunday.
Halcombe Dike,--her old friend Halcombe Dike. She said the words over,
apologizing a bit to herself for being there to watch that railroad. Hal
used to be good to her when she was bothered with the children and more
than half tired of life. "Keep up good courage, Sharley," he would say.
For the long summer he had not been here to say it. And to-night he
would be here. To-night--to-night! Why should not one be glad when one's
old friends come back?
Public-domain text, read in full here on John Shaqi.
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