Ghost stories, American; United States -- Social life and customs -- 19th century -- Fiction
That was a very fair yarn of yours, Tom Brown, very fair for a landsman,
but I'll bet you a doughnut I can beat it; and all on the square, too,
as I say,--which is more, if I don't mistake, than you could take oath
to. Not to say that I never stretched my yarn a little on the fo'castle
in my younger days, like the rest of 'em; but what with living under
roofs so long past, and a call from the parson regular in strawberry
time, and having to do the flogging consequent on the inakkeracies of
statement follering on the growing up of six boys, a man learns to trim
his words a little, Tom, and no mistake. It's very much as it is with
the talk of the sea growing strange to you from hearing nothing but
lubbers who don't know a mizzen-mast from a church-steeple.
It was somewhere about twenty years ago last October, if I recollect
fair, that we were laying in for that particular trip to Madagascar.
I've done that little voyage to Madagascar when the sea was like so much
burning oil, and the sky like so much burning brass, and the fo'castle
as nigh a hell as ever fo'castle was in a calm; I've done it when we
came sneaking into port with nigh about every spar gone and pumps going
night and day; and I've done it with a drunken captain on starvation
rations,--duff that a dog on land wouldn't have touched and two
teaspoonfuls of water to the day,--but someways or other, of all the
times we headed for the East Shore I don't seem to remember any quite as
distinct as this.
We cleared from Long Wharf in the ship Madonna,--which they tell me
means, My Lady, and a pretty name it was; it was apt to give me that
gentle kind of feeling when I spoke it, which is surprising when you
consider what a dull old hull she was, never logging over ten knots, and
uncertain at that. It may have been because of Moll's coming down once
in a while in the days that we lay at dock, bringing the boy with her,
and sitting up on deck in a little white apron, knitting. She was a very
good-looking woman, was my wife, in those days, and I felt proud of
her,--natural, with the lads looking on.
"Molly," I used to say, sometimes,--"Molly Madonna!"
"Nonsense!" says she, giving a clack to her needles,--pleased enough
though, I warrant you, and turning a very pretty pink about the cheeks
for a four-years' wife. Seeing as how she was always a lady to me, and a
true one, and a gentle, though she wasn't much at manners or
book-learning, and though I never gave her a silk gown in her life, she
was quite content, you see, and so was I.
I used to speak my thought about the name sometimes, when the lads
weren't particularly noisy, but they laughed at me mostly. I was rough
enough and bad enough in those days; as rough as the rest, and as bad as
the rest, I suppose, but yet I seemed to have my notions a little
different from the others. "Jake's poetry," they called 'em.
Public-domain text, read in full here on John Shaqi.
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