Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"That's a fine lass," said Logan. "Good-night, boy. I'll see you
to-morrow and tell you about Cluny's."
"Good-night," said Mendel, still loath to see his friend go, and he
suffered a pang of jealousy as he saw Logan go up to the girl, raise
his hat, and speak to her. She started, blushed, and smiled. They
stopped and talked together for a few moments, and then moved over
towards the lift.
Mendel waited and watched them, Logan talking gaily, the girl smiling
and watching him intently through her smile. With her eyes she took
possession of him, and Mendel was filled with misgiving when he heard
Logan's fat chuckle and the rustle and clatter of the gate as the lift
descended. It reminded him oddly of the Demon King and the Fairy Queen
in a pantomime he had once seen with Artie Beech, whose father used to
get tickets for the gallery because he had play-bills in his shop
window.
IV
BURNHAM BEECHES
FOR Greta Morrison as for Mendel, London life had been opened up
through Mitchell. He had been friendly and kind to her when everybody
else had been harsh, fault-finding, and indifferent. Her first year
and a half at the hostel had been a period of misery, for the girls
and women there regarded her as odd, vague, and careless, and thought
it their duty to impose on her the discipline she seemed to need, for
they knew nothing of her suffering through her ambition and her work.
Like Mendel, she had been overwhelmed by her inability to adapt
herself easily to the Detmold standard of drawing, for it was against
her temperament and her habit of mind to be precise, and drawing had
always been to her rather a trivial thing, though extremely pleasant
for the purposes of the caricatures in which her teasing humour found
an outlet. All her girlhood had been thrillingly happy in the
execution of large allegorical designs, through which she sought to
express her delight in the earth--the immense serene power of which
she became profoundly aware as she lay in the bracken at home and
gazed out over the rich valley or up into the marvellous, quivering
blue sky, through which she felt that she was being borne without a
sound, without a tremor, irresistibly. Nothing could shake that loving
knowledge in her, and it hurt her that her mother's cold, self-centred
religion, which made her demand a fussy, sentimental attention from
her children, forbade all expression of it in her daily life. Her
brothers, revolting against the sentimentality exacted of them,
treated all tenderness as ignoble rubbish, and in her rough-and-tumble
with them Greta was hardened and forced into independence. She had to
play their games with them and to suffer the same tortures of
knuckle-drill, brush, dry-shave, and wrist-screw. But all their
swagger seemed to her rather fraudulent; and because they laughed at
her allegorical designs she decided that men were inferior beings.
When they laughed at her designs it was to her as though they laughed
Public-domain text, read in full here on John Shaqi.
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