Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Morrison was impressed. The contrast between these people who thought
of everything and everybody but themselves and her own home, where
nothing was thought of but the family, the Church, and the Empire,
shocked her into thinking and gave her a sense of liberation. It made
human beings more interesting than she had thought, and she began to
see that they did not, as she had heedlessly accepted that they did,
fit infallibly into their places, and that vast numbers had no places
to fit into. She herself, she saw, did not fit into any place, and
that she had been squeezed, like paint out of a tube, out of her home
for no other reason than that she was a woman, and there was only just
enough money to establish the boys. However, she could not quite
swallow Mrs. Mitchell's view that men had deliberately, coldly, and of
set purpose ousted women from their rightful share in the sweets of
life.
She had a period of despair as these revelations sank into her mind
and she had to digest Mrs. Mitchell's awful facts and statistics about
the night-life of London. Life seemed too terrible for her powers,
but, as she soon began to see how comic Mrs. Mitchell was, she pulled
herself together and found that she was strengthened by the
experience, and when Mitchell confessed the awful doings of his past,
she felt immeasurably older than he, and was thankful she was a woman
and did not expect such things of herself. For she could never quite
take his word for all he said. She knew her brothers too well to
accept his plea of passionate necessity.
"Gawd!" he used to say. "When I think of my past I feel that I must go
on my knees and worship your purity."
His absurdity made her blush, but she liked him. He was clever and had
read much under his father's guidance, poetry and modern English
fiction mostly, and when she went to tea with him in his studio he
used to read aloud to her, Keats and Shelley and Matthew Arnold.
"I think I only like poetry," she said once, "when it makes pictures.
When it doesn't do that it seems to me just words, and it doesn't seem
to matter how nice they sound."
"Gawd!" he said. "That's like Kühler. He says nothing makes such
pictures as the Bible, and he is always quoting that about: 'At her
feet he bowed, he fell, he lay down: where he fell, there he lay
down.' And he says it must be the words, because his own Hebrew Bible
never gave him anything like the same--er--vision of it."
Once he had begun to talk of Mendel she would not let him leave the
subject.
"Do you think he's a genius?" she would ask.
"Gawd! I don't know. He says he is a genius, and I suppose time will
show whether it is true or not. But why do you want to talk of him?"
"I don't know. I'm interested. Perhaps because he is different."
"Well, you've had tea with him. That is about as much as is good for
you. If you were my sister I wouldn't let you know him."
"Why not?"
"My dear girl, there are certain things in life that a young girl
ought never to know."
Public-domain text, read in full here on John Shaqi.
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