Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
He avoided Logan, but Logan needed him, and came to tell him so.
"It is all very well for you to shut yourself up," he said, "but I
can't live without you. You know what Oliver is to me, but it is not
enough. The more satisfying she is on one plane, the more I need on
the other the satisfaction that she cannot give me. Women can't do it.
They simply can't, and it is no good trying. If you try, it means
making a mess of both love and art. She is jealous? Very well. Let her
be jealous. She enjoys it, and it helps her to understand a man's
passion."
"I can't stand it when you talk in that cold-blooded way about women."
"I'm not cold-blooded," said Logan, astonished at the adjective.
"I sometimes think you are, but I am apt to think that of all English
people," replied Mendel, wondering within himself if that did not
explain Morrison. "Yes. I often wonder what you would be like if you
were in an office, wearing a bowler hat, and going to and fro by the
morning and evening train."
"Why think about the impossible?" laughed Logan. "Anyhow, I'm not
going to let you shut yourself up. I want to go to Paris, and I can't
face three weeks alone with Oliver. Twenty-one days, sixty-three
meals. No. It can't be done."
"Yes, I'll go to Paris," thought Mendel. "I will go to Paris and I
will forget."
"You must come," urged Logan. "Madame at the Pot-au-Feu has given me
the name of a hotel kept by her sister-in-law. Very cheap. Bed and
breakfast, and, of course, you feed in restaurants. . . . You want
digging out of your hole. I don't know why, but you seem to have
insisted more on being Jewish lately. It is much more important for
you to be an artist and a man. I regard you as a sacred trust. I do
really. You are the only man in England for whom I have any respect,
and I need you to keep me decent." He added: "I need you to keep me
alive, for, without you, Oliver would gobble me up in a month."
He seemed to be joking, but Mendel could not help feeling that he was
at heart serious, and he had the unpleasant sinking of disgust which
sometimes seized him when he thought of Logan and Oliver together. He
could not account for it, and the sensation gave him a sickly pleasure
which made him weaker with Logan than with anybody else. Besides,
Logan often bewildered him, and he could not tolerate his inability to
grasp ideas except through a mad rush of feeling, and he hated the
fact that while Logan's mind seemed to move steadily on, his own
crumbled to pieces just at the moment when it was on the point of
absorbing an idea.
For these reasons he consented to go to Paris. The three weeks should
consolidate or destroy a friendship which had remained for him
distressingly inchoate. Deep in his heart he hoped that it would
become definite enough and strong enough to drive out his
indeterminate love. To be in love without enjoying love was in his
eyes a fatuous condition, undignified, vague, a kind of cuckoldry.
* * * * *
Public-domain text, read in full here on John Shaqi.
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