Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Mary Tufnell put him at his ease at once and encouraged him to talk
about himself. He was frank and gay and amusing, and told her about
his adventures and many of his troubles, and even ventured once or
twice upon scabrous details.
"He is a darling," she said to Edward. "But how he must have suffered.
He is such a boy, but sometimes he seems to me the oldest person I
have ever met."
"You must remember that he is a Jew," said Edward.
"He doesn't let you forget it," replied she.
* * * * *
The portrait was begun the next day. Mendel took a business-like view
of his visit. He was there to paint and to make thirty pounds. Every
moment that his hostess could spare he seized upon. He painted her in
her mauve cotton and Leghorn hat and would not talk while he worked.
When the light was gone he was ready for any entertainment they might
propose. He did not find either of them particularly interesting, and
their unfailing kindness wearied him not a little. They were so
invariably good in every thought, word, and deed. It seemed impossible
for them to fail. There was no combination of circumstances which they
could not surmount with their smiling patience. . . . He thought of
them as two people walking along on either side of a road, smiling
across it at each other. Nothing joined them. They had never met.
There had been no collision. He had overtaken her on the road and had
taken her step, her pace. . . . They had just that air. Dear Edward
had fallen in with her by the wayside, and she had smiled at him and
he was content and held for life. To their mutual grave astonishment
she would have children, and her smile would become a little sad, and
with the children she would be an ideal to Edward, like the little
Italian Madonnas of whom he had so many photographs all over the
house. And between them on the road would march the brave procession
of life--kings and beggars, priests and prostitutes, artists and
peasants, chariots, and strange engines of peace and war; but they
would see nothing of it: they would see only each other, and they
would smile and go smiling to the grave.
Mendel was at his ease with them and very happy, but suddenly out of
nowhere there would arise, as it were, a great stench that pricked his
nostrils and set him longing for London. And he would think of Logan
and Oliver and ache to be with them, so that he knew that he was bound
to them in the flesh. They were embarked upon a great adventure in
which he must be with them to the end, for Logan was his friend, with
whom he must share even the deepest bitterness. With Edward he could
share nothing at all, for Edward was absurdly, incredibly innocent,
content to smile by the wayside.
He wrote to Logan and Oliver and told them how he was longing to be
with them, and how the country filled him with childish fears, and how
Paris seemed a thousand miles away and its adventures a thousand years
ago. And he was hurt because they did not at once reply.
Public-domain text, read in full here on John Shaqi.
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