Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"All the same," grunted Mendel, "I am not going to agree to the
manifesto. People will read it and laugh at it, and never look at the
pictures. You seem to think of everything but them. I wonder you don't
set up as a dealer."
"You're overworking," said Logan, "that's what you are doing. And
directly the exhibition is open I shall pack you off to Brighton."
* * * * *
Already a week before the opening they began to feel that the eyes of
London were upon them. They crept about the streets half-shamefacedly
like conspirators, relaxed and wary, waiting for the moment when their
triumph should send their shoulders back and their heads up, and they
would march together through a London which owed its salvation to
them. Not since his portrait had appeared in the Yiddish paper had
Mendel been so defiant and so morosely arrogant.
He was ill with excitement and could not do a stroke of work. Every
minute of the day he spent with Logan and Oliver, to whom Tysoe was
often added. He dined with them at the Pot-au-Feu, took them all out
to lunch and tea at places like Richmond and Kew, had them to his
house, and was squeezed by the approaching success to buy Logan's two
largest pictures before the public could have access to them.
"They are masterpieces!" he cried, swinging his long hands, "absolute
masterpieces! You don't know how much good it does me to be with you
two. Absolutely sincere, you are! That's what I like about you.
Sincere! One looks for sincerity in vain everywhere else. Sincerity
has vanished from the theatre, the novel, music, poetry. I suppose it
is democracy--letting the public in behind the scenes, so that they
see through all the tricks."
"An artist isn't a conjurer!" said Mendel.
"That is just what artists have been," cried Logan, "and they can't
bluff it out any more."
"Exactly!" gurgled Tysoe, who when he was roused from his habitual
weak lethargy lost control of his voice, so that it wobbled between a
shrill treble and a husky bass. "Exactly! That's what I like about you
two. No bluff, no tricks. You do what you want to do and damn the
consequences. Ha! ha!"
So ill was Mendel just before the exhibition that Logan refused to
allow him anywhere near it, and insisted that they should both go to
Brighton, leaving Oliver to go to the private view and spy out the
land.
Oliver protested. She wanted to go to Brighton.
"You shall have a new dress and a new hat," said Logan. "You must go
to the private view like a real lady. Cluny doesn't know you, and you
must go up to him every now and then and ask him in a loud voice what
the prices are. You might even pretend to be a little deaf and make
him speak clearly and distinctly."
The idea tickled Mendel so that he began to laugh, could not stop
himself, and was soon almost hysterical.
"What's the matter with you?" asked Oliver, shaking him.
He gasped:--
"I--I was laughing at the idea of your being a real lady. Ha! ha! ha!"
Public-domain text, read in full here on John Shaqi.
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