Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Mendel stared and his jaw dropped. Had Logan forgotten the night in
Paris? Was he such a fool as to pretend he did not know, could not see
that the whole liberation of frenzy in Oliver dated from that night?
. . . Oh, well! It was no affair of his.
To change the subject he said:--
"We ought to get the press-cuttings to-morrow. I wonder if we shall
sell the lot? It's a good beginning, having tickets on your two."
"I bet we sell the lot in a week. Oliver has two of the critics in her
pocket. What do you say to giving a party in honour of the event? We
can afford to forgive our enemies now, and there's a social side to
the movement which we ought not to neglect."
Mendel made no reply. They were sitting on the front. The smooth,
glassy sea, reflecting the stars and the lights of the pier, soothed
and comforted him. Brighton was to him like a part of London, and he
sank drowsily into the happy fantasy that he was being thrust out of
the streets towards the stars and the vast power that lay beyond them.
He was weary of the streets and the clamour, and he wanted peace and
serenity, rest from his own turbulence, the peace which has no
dwelling upon earth and lives only in eternity.
"How good it would be," he said suddenly, "if one could just paint
without a thought of what became of one's pictures."
"That's no good," replied Logan. "One must live."
* * * * *
The first batch of cuttings arrived in the morning. They were brief,
for the most part, quite respectful and appreciative. Mendel learned,
to his astonishment, that he was influenced by Logan, and one critic
lamented that a promising young painter, who could so simply render
the life of his race, should have been infected with modern heresies.
There was no uproar, neither of them was hailed as a master, and Logan
in more than one instance was dismissed as an imitator of Calthrop.
"Calthrop!" said Logan, gulping down his disappointment and disgust.
"Calthrop! Oh well, it is good enough for a beginning. It would have
been very different if you had let me print the manifesto. The swine
need to be told, you know. They want a lead. . . . We'll wait for the
Sunday papers."
* * * * *
London was curiously unchanged when they returned. Mendel was half
afraid he would be recognized as they came out of Charing Cross
Station, but no one looked at him. The convulsion through which he had
lived had left people going about their business, and he supposed that
if an earthquake happened in Trafalgar Square people would still be
going about their business in the Strand.
They were eager for Oliver's account of the private view, and took a
taxi-cab to Camden Town. She was wearing her new dress and was quite
the lady: shook hands with Mendel and asked him haughtily in a mincing
tone how he was. From all these signs he judged that the exhibition
had been a success.
"Quite a lot of people came," she said. "Real swells. There were two
motor-cars outside."
Public-domain text, read in full here on John Shaqi.
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