Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Here were crude colours indeed--almost, in many cases, as they came
from the tubes, and as for drawing, there was hardly a trace of it,
yet in the majority of the pictures there was a riotous freedom which
rushed like a cleansing wind through Mendel's mind, and it seemed to
him that here was the answer to many of his doubts--not a clear vision
of art, but a roughly indicated road to it. It was absurd to sit
cramping over rules and difficult technicalities when the
starting-point of art lay so far beyond them. There was much rubbish
in the show, but the works of Cézanne and Picasso were undeniably
pictures. They were not flooded with a clear loveliness, like the
pictures of Botticelli or Uccello, but they had beauty, and lured the
mind on to seek another more mysterious beauty beyond them.
The two friends went through the exhibition in silence. As they left,
Mendel asked:--
"Well! what did you think of it?"
"We're snuffed out," replied Logan despondently.
"Not I!" cried Mendel. "I'm only just beginning."
"I don't understand it yet. It has made my eyes and my head ache. At
first it seemed to me too cerebral to be art at all, but there's no
denying it, and it has to be digested. In a way it is what I have
always been talking about. It has to do with the life we are living,
which may not be much of a life, but it is ours and we find it good.
It has not been a plunge into another world, like a visit to the
National Gallery, but into some reality a little beyond this
extraordinary jumble and hotch-potch of metropolitan life."
"It is painting," said Mendel. "That is enough for me. And they are
not afraid of colour. Why should they be? The colours are there: why
not use them? I'm going to."
And he went home and dashed off a savage mother with a green face
thrusting a straw-coloured breast into the gaping red lips of a child.
So much for maternity and the Madonnas! He knew how a man loved his
mother, and it was not in that milky way, setting her above nature,
she who was tied and bound to natural, instinctive, animal life. If a
man loved his mother, it was because with her it was the easiest thing
in the world to be intimate and frank and honest and without pretence
of any kind.
His mother was marvellous to him because she was his dearest friend,
not because she had given him suck. That was a fact like any other,
and facts were not marvellous until more and more light was thrown on
them from the mind, for in the murk and muddle of human life they were
distorted.
Public-domain text, read in full here on John Shaqi.
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