Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"Don't say that!" pleaded Logan; "don't say that! I can't get on
without you. I don't see how I can get on without you. All the
happiness I have ever had has come through you. Every hope I have is
centred in you. If you go, life will become nothing but work, work,
work, with nobody to understand. Nobody. . . . And I have been so full
of hope. All this new business has made such a stir and has brought
such life into painting that I had begun to feel that anything was
possible. There might be even a stirring of the spirit to stem the
tide of commercialism. You know what my life has been--one long
struggle to find a way out of the pressure of vulgarity and sordid
money-making, out of sentimentality and pretty lying fantasy, out of
the corruption that from top to bottom is eating up the life of the
country. You know that when I met you I had almost given up the
struggle in despair. One man alone could not do it. But two men
could--two men who trusted and believed in each other. . . . You were
very young when I first met you, but you have come on wonderfully. It
has been thrilling for me to watch the growth of your mind and the
strengthening of your character. You are the only man I ever met who
could really stand by himself. . . . It isn't easy for me to say all
this, but I must tell you what your friendship has meant to me."
The more Logan talked, the more he divulged his feelings, his very
real affection, the more Mendel's mind was concentrated on the one
purpose, to get him away from Oliver.
"You must give her up," he said.
"I can't," gasped Logan.
They stood facing each other, Mendel staring into his friend's eyes
that looked piteously, wearily, miserably out of his haggard, battered
face. He could not endure it, and he could not yield to the entreaty
in Logan's eyes.
He turned quickly and ran to a bus which had stopped a few yards in
front. He rushed up the steps and was whirled away. Unable to resist
turning round, he saw Logan standing where he had left him, with his
head bowed, his shoulders hunched up, a figure of shameful misery.
Public-domain text, read in full here on John Shaqi.
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