Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
On his painting-table were autumn flowers daintily arranged in the old
jug he used for a vase. He buried his face in them. She was there! She
was there in the sweetness and fragrance of the flowers.
VII
CONFLICT
MORRISON had fought bravely through her storms and difficulties. She
frightened Clowes with the violence of her efforts and the terrible
strain she inflicted on her vitality. There were times when she
thought the simplest way would be to cut adrift from all her old
associations and to throw in her lot with Mendel, to give him his
desire and so save him from the terrible life he was leading. But that
was too drastic, too simple. She could only have done it on a great
impulse, but always her deepest feelings shrank from it, and without
her deepest feelings she could not go to him, for they were engaged
most of all. . . . She felt cramped and confined, as though her love
were a cord wound round and round her limbs, and she could not, she
would not go to him bound. He must release her; she must compel him to
release her. If it took half her lifetime she would so compel him. Her
will was concentrated upon him. She would not have their love droop
from the high sympathy it had known, nor should it be torn from it by
his savage strength and the adorable violence of his passion. Neither,
on the other hand, would she turn back from him. That would be to deny
her freedom which she had bought so dearly. She had thought her
freedom would give her the easy joy of flowers and clouds and birds,
and she still believed in that easy joy, but it lay beyond the tangled
web of this love for the strange, dark, faunlike creature whom she had
found in the woods. If she turned back, if she denied the urgent
emotions that drove her on, she had nothing to turn to but the old
captivity, the life where all difficulties were arranged for, where
all roads led to marriage, where men could only talk to women in a
half-patronizing, half-flirtatious way that led to a ridiculous
meeting of the senses, then to an engagement, and so to church. To
that she would never, never return. She had fought her way out of it.
She had learned to live by herself, within herself, to wrestle with
her thoughts and emotions and to get them into shape. (It had been at
a great cost to her external tidiness and orderliness, but that too
she hoped to tackle in time.) She had won all this, and she had found
a glorious outlet in work. So far as she had gone she had been
successful, and she was ambitious, terribly ambitious, to show that a
woman could do good work.
And then there was the dark side of Mendel's life--Logan, Oliver,
Jessie Petrie. At the thought of it she shuddered, but her honesty
made her confess that it made no difference to her central feeling. It
had shocked her, outraged her, roused her to a fury of jealousy, but
that she would not have. She fought it down inch by inch until she had
it so well in control that, whenever it reared its head, she could
crush it down.
Public-domain text, read in full here on John Shaqi.
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