Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"I'm not going to come to grief," said Morrison. "I'm going to
win--I'm going to win."
It was then that she went out and bought the flowers. Her courage
nearly failed her as she approached the door in the little slummy
street. Suppose he should be angry with her for running away, and
contemptuous of her cowardice! His anger and contempt were not easy
things to face.
She was relieved, therefore, when the dirty little Jewish servant
opened the door and told her Mendel was out. She handed in the flowers
shyly and went away without a word.
* * * * *
Mendel wrote to thank her for the flowers, but said nothing about
going to see her or about what he was doing. She thought he must be
contemptuous of her, though it was not like him to be so stupid as not
to respond to a direct impulse. On the other hand, he had always tried
to impose his authority on her, and she was not going to do his
bidding. Either he must take her on her own level or not at all. She
would make him understand that she too was driving at something, and
that love was to her not an end in itself, much though she might
desire love and its freedom. He had always made her feel that he
regarded love as sufficient for her. She must curl up in it and be
happy while he went on with his work. Against that all the free
instinct in her cried out. A woman was not a mere embryo to be
incubated in a man's passion, hatched out into a wife and a helpmate.
. . . When she tried to imagine what life with him would be like, she
shivered until she thought what life with him might be if she could
bring to it all her force and all her freedom.
At last she began to think that perhaps it was her own fault for not
having left a note or a message with the flowers, which might be
regarded only as a token of sentimental forgiveness. She knew how
easily he was sickened by any sign of Christian
sentimentality--"filthy gush" as he called it. . . . To safeguard
against that and to have done with it once and for all, she wrote to
him and told him that she had been reading "Jean Christophe," and that
it had helped her to understand both his sufferings and his need of
what in an ordinary foolish vain man would have to be condemned.
To this letter he did not reply, and she determined that she would go
and see him. She would take Clowes, in case things had become
impossible and their sympathy had somehow been undermined and
destroyed. Even if it were, she would not accept or believe it, and
she would fight to restore it. A vague intuition took possession of
her by which she surely knew that something strange, perhaps even
terrible, was happening to him, and she felt that he needed her but
did not know his need.
Public-domain text, read in full here on John Shaqi.
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