Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
And so Logan had left Oliver! There must have been a terrible row.
. . . Oh, well, he would go back to her. There would be no end to the
affair, there could be no end unless Logan were strong enough to stand
by himself. But when had he ever tried to do that? Even in his work he
borrowed here and there. Mendel was sure now that all Logan's work had
grown out of his own, and was often, by some amazing sleight of mind,
an anticipation of his own ideas. That explained a good deal: his
growing sense that Logan was really his enemy, and was cramping and
thwarting him, a sense that endured even after the quarrel. It was
strong upon him now. Tysoe had brought Logan vividly to his mind and
made him feel impotent, possessed by a vision of art but unable to
move a step towards it, rather dragged further and further away from
it. He was ashamed when he thought of how often he had excitedly
followed Logan's lead, only to come now to this discovery that he was
brought back to his own inchoate ideas. . . . He was reminded oddly of
the journalist who had interviewed him after his first success and had
produced so grotesque a parody of his innocently conceited remarks.
A tap at the door reminded him of the "two young ladies" who were
waiting to see him. He rushed eagerly to the door and flung it open,
thinking to find healing and refreshment in the sight of Morrison.
Only Clowes was standing there, and in his disappointment her face
seemed to him so foolish and flabby and idiotic that his impulse was
to shut the door. . . . He would bang the door in her face and it
would shut out the Christian world for ever. It did not want him, and
he did not want it, for it was full of lies. . . . Then he heard a
footstep on the stairs and Morrison appeared.
"Come in," he said. "Come in."
"I can't stay long," said Clowes nervously.
"All right," he replied.
Morrison reached the top of the stairs, and he stood looking at her.
"How are you?"
"I'm very well."
She was horrified at the change in him. He looked so tragic and drawn.
"Clowes can't stop long," she said. "But I'll stop, if I may. I should
like to."
"I'm afraid I haven't got anything to show you. I haven't been working
lately."
"It seems to be a pretty general complaint," said Clowes. "Everybody
is so upset by the French pictures. I should like to shake that
Thompson until his teeth rattled. He is so pleased with himself."
"He's an awful man," muttered Mendel. "He seems to think he told
Cézanne and Van Gogh how to do it. There seems to be a whole army of
men ready to take the credit of a thing when someone else has done it.
I suppose they are all talking like mad."
"What is so astonishing is that these things are actually selling, and
people who never sold a picture in their lives dab a few straight
lines on a picture and off it goes."
Mendel laughed.
Public-domain text, read in full here on John Shaqi.
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