Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"A wild rose, then; and you have no right to want such a life. You are
not a flower. You are a human being, and you can't have a sheltered
life, or a summer hedgerow life, because you have truth and falsehood
in you, and if you will not live for the truth you will die for the
falsehood. That is why cinemas are good and theatres are rotten. All
the plays are false, because they have forgotten truth and falsehood
and are all about being rich or poor, or old or young, or married or
unmarried, and in the worst plays of all they are about people
pretending to be children so as to get out of the whole thing. I hate
you sometimes when you seem to be trying that game of refusing to be
grown up, denying your own feelings and letting men love you and
pretending you don't know what it is all about."
"I never do that," she cried indignantly.
"I'm not so sure," he said, unable to resist the temptation to press
home the advantage he had won in rousing her out of her placid
happiness. "I'm not so sure. There are too many girls do that."
"I don't. I may have done it. But I have never done it with you. It is
a wicked lie to say anything of the kind."
"You can't blame me if I catch at any idea that will help me to
understand you."
"You never will, if you go grubbing about with your mind."
"Oh! my mind is no good, is it? Then take your hands off my feelings.
They'll understand you right enough."
"No. They won't."
"Why not?"
"Because they're blind."
"Good God! What am I to do, then?"
"Wait."
"How long?"
"Till you can see."
"I never shall see more than I do now. If you love me, why don't you
love me as I am?"
"I do. But you don't know what you are--yet, and you don't know what I
am."
"I know what I want."
"It isn't what I want."
"If you knew at all what I wanted, you would want it too."
"What is it?"
"Love."
"You've got it."
"You don't call this love?"
"I do."
"Then I don't. It is just playing the fool--wasting time."
"It isn't wasting time. We are much better friends than we were."
"I don't want to be friends. I've had enough of friends. They have
never done me any good. It's a silly, thin kind of happiness at best."
"It is better than no happiness at all, which the other would be."
"How can you say that?" he cried, revolted. "How can you say that?
Every thought, every dream I have is centred on it. It is such
happiness that my imagination, is baffled by it."
"Please let us stop talking about it. We are only getting horribly at
cross-purposes."
He had learned when it was wise to stop, but he needed every now and
then the assurance that her serene confidence was shot with doubt.
Once or twice when he had tried to thrust her back on her doubts she
had flared up, and had fought tooth and nail, declaring that she would
never see him again. And, as he knew she meant it, he yielded, and
said that any sacrifice was better than that.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account