Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Again and again he told himself that he could not go on, that life was
as thick and heavy as the air before a thunderstorm. Often he thought
that this density, this opaqueness, with which he was surrounded,
meant that he must quarrel and break with her once and for all. It
would nearly kill him to do it, but if it must be done, the sooner the
better. Perhaps it was wrong for him to have anything to do with the
Christian world at all. No single friendship or relationship that he
had had in it had been successful or of any profit to him. Little by
little his peace of mind had been taken from him. Everything had been
taken from him, even, now, his work. . . . That he would not have. He
set his teeth and stuck to it, every day and all day, but the few
pictures he turned out did not sell. Cluny would not have them, and
they were rejected by the exhibitions, even by the club of which he
was a member.
Of all this he said not a word to a soul, not even to Morrison, not
even to Golda. His money was dwindling. That put marriage out of the
question. Fate, or the ominous pressure of life, or whatever it was,
played into Morrison's hands.
Every now and then, unable to endure this pressure, he plunged into
excesses. There seemed to be no other way out. The Christian world
refused him. He no longer belonged to his own people. Their poverty
disgusted him. People had no right to be so poor as that, to have no
relief from the joyless daily grind for bread. . . . It was the fault
of the Christians who prayed to the Lord for their daily bread and
stole it from each other because they had forgotten that it was not
given them except in return for daily work.
That was the one strand of sympathy he had left with his
father--Jacob's absolute refusal to receive his daily bread from any
other hands than his own, and his almost crazy refusal to let Issy and
Harry go out and work for other masters. They could work for their
father because he had authority over them, but other masters had no
authority except what they bought or stole.
But a talk with Harry decided Mendel that his people's way, the Jewish
way, was no longer his.
Harry was bored. He had bouts of boredom when he could not endure the
workshop and refused to go near it, however great the pressure of
business might be. Like his father, he said:--
"I want nothing."
"Very well then," said Mendel; "you've got nothing. What are you
grumbling at?"
"But there _is_ nothing."
"Then it is easy to want nothing and you should be satisfied."
"That's it. It is too easy. Work, work, work. Play, play, play. How
disgusting it all is!"
"Why didn't you stay in Paris?"
"I could not bear to be away from the people."
"But if they give you nothing?"
"They have nothing to give. Nothing but old Jews who believe and young
Jews who cannot believe and are nothing."
"It is the same everywhere. The Christians do not believe either."
Public-domain text, read in full here on John Shaqi.
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