Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Mendel remembered Cézanne's portrait of his wife, and how he had
intended to tell Logan that it had made him feel like a tree with the
sap running through it to the budding leaves in spring.
He told him now, and added:--
"It doesn't matter that I did not understand you in life."
"No," said Logan. "Don't go away!"
"I'll stay," replied Mendel; "I'll stay."
Then he was in a horrible agony again, as the marvellous clarity he
had just won disappeared. Logan knew what he was doing, that he was
taking with him all the weaknesses and vain follies which had so
nearly brought them both to baseness, and Mendel knew that Logan must
continue as a powerful force in his work; but he crushed the rising
revolt in himself, the last despairing effort of his weakness, and
gave himself up to feeding the extraordinary delight it was to the
poor wretch, lying there with his force ebbing away, to give himself
up to a pure artistic purpose such as had been denied him in his
tangled life. Through this artistic purpose Logan could rise above the
natural ebbing process of his vitality, which sucked away with it the
baseness and the folly he had brought into his friend's life. He could
rejoice in the contact of their minds, the mingling of their souls,
the proud salute of this meeting and farewell. It was nothing to him
that he was dying, little enough that he had lived, for he knew that
he had never lived until now.
The nurse came and said the patient must rest.
"Don't go away!" pleaded Logan.
"I'll wait," said Mendel, patting his hand to reassure him.
"Half-past two," said the nurse as she followed Mendel out. "What a
remarkable man!" she added. "What a tragedy! I suppose the girl was to
blame too."
"Blame?" said Mendel, rather dazed at being brought back to customary
values. "Blame?"
* * * * *
He went down to the dingy waiting-room and sat there subdued,
cowering, exhausted. He felt very cold and miserable. It was so
terrible waiting for a thing that had happened. The physical fact
could make no difference. . . . Logan had made an end, a very complete
and thorough end. . . . Oh! the relief of it, the relief of having
Logan for his friend at last, of having seen him freely and fully
tasting at last his heart's desire, of being himself brought up to
that level, that pure contact with another human being, for which he
had always longed. . . . That desire in both of them had been violated
and despoiled, God knows how. Lies? Lust? Profanation of the holy
spirit of art? . . . What words could describe the evil that
everywhere in life lay in wait for the adventurous, letting the
foolish and the timid, the faint of heart and the blind of soul, go
by, and waiting for strong men who walked with purpose and a single
mind?
* * * * *
At half-past two the nurse came to fetch him.
"He is very weak now," she said.
Public-domain text, read in full here on John Shaqi.
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