Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
He was the first self-deceiver Mendel had met, and the encounter
disturbed him greatly and depressed him not a little, so that he was
rather overawed than elated by the prospect in front of him. He felt
strangely flung back upon himself, and that this help given to him was
not really help. He was still, as always, utterly alone with his
obscure desperate purpose for sole companion. Nobody knew about that
purpose, since he could never define it except in his work, and that
to other people was simply something to be looked at with pleasure or
indifference, as it happened. He used to try and explain it to his
mother, and she used to nod her head and say: "Yes. Yes. I understand.
That is God. He is behind everybody, though it is given to few to know
it. It is given to you, and God has chosen you, as He chose Samuel.
. . . Yes. Yes. God has chosen you." And he found it a relief
sometimes to think that God had chosen him, though he was disturbed to
find Golda much less moved by that idea than by the letter which Mr.
Froitzheim wrote to her, in which he said that her son had a very rare
talent, a very beautiful nature, and that a day would come when she
would be proud of his fame.
Yet there were unhappy days of waiting. Jacob would not hear of his
leaving the factory until everything was settled, and when Mendel told
the foreman he was probably going to leave to be an artist, that
worthy drew the most horrible picture of the artist's life as a
mixture of debauchery and starvation, and told a story of a friend of
his, a marvellous sculptor, who had come down to carving urns for
graves--all through the drink and the models; much better, he said, to
stick to a certain income and the saints.
At last Maurice Birnbaum came in his motor-car. Everything was
settled. The fees at the Detmold would be paid as long as the reports
were satisfactory, and Mendel would be allowed five shillings a week
pocket-money, but he must be well-behaved and clean, and he must read
good literature and learn to write good English. "I will see to that,"
said Maurice. "I am to take him now with some of his work to see Sir
Julius. His fortune is made, Mrs. Kühler. Isn't it wonderful? He is a
genius. He has the world at his feet. Everything is open to him. I
have been to Oxford, Mrs. Kühler, but I shall never have anything like
the opportunities that he will have. It is marvellous to think of his
drawing like that in your kitchen." Maurice was really excited. His
heart was as full of kindness as a honeycomb of honey, but he had no
tact. His words fell on Golda and Mendel like hailstones. They nipped
and stung and chilled. Golda looked at Mendel, he at her, and they
stood ashamed. "We must hurry," said Maurice. "Sir Julius must not be
kept waiting. He is a stickler for punctuality."
Public-domain text, read in full here on John Shaqi.
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