Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
As a matter of fact, Maurice only knew Sir Julius officially. His
family had never been admitted to the society in which Sir Julius was
a power and a light. The entrance to the house of the millionaire was
a far greater event to him than it was to Mendel.
The splendid motor-car rolled through the wonderful crowded streets,
Maurice fussing and telling Mendel to take care his parcel did not
scratch the paint, and swung up past the Polytechnic into the
desolation of Portland Place. At a corner house they stopped. The
double door was swung open by two powdered footmen, and by the inner
door stood a bald, rubicund butler. Maurice gave his name, told Mendel
to wait, and followed the butler up a magnificent marble staircase
with an ormolu balustrade. Mendel was left standing with his parcel,
while one of the footmen mounted guard over him. He stood there for a
long time, still ashamed, bewildered, smelling money, money, money,
until he reeled. It made him think of Mr. Kuit, who alone of his
acquaintance could have been at his ease in such splendour. He felt
beggarly, but he was stiffened in his pride.
The butler appeared presently and conducted him upstairs to a vast
apartment all crystal and cloth of gold. In the far corner sat a group
of people, among whom, in his confusion, Mendel could only distinguish
Maurice Birnbaum and a small, wrinkled, bald old man with a beard,
whose eyes were quick and black, peering out from under the yellow
skull, peering out and taking nothing in. For the purposes of taking
in his nose seemed more than sufficient. It was like a beak, like an
inverted scoop. And yet his features were not so very different from
those of the old men at home whom Mendel reverenced. There was a
strange dignity in them, yet not a trace of the fine quality of the
old faces he loved that looked so sorrowfully out on the world, and
through their eyes and through every line seemed to absorb from the
world all its suffering, all its vileness, and to transmute it into
strong human beauty. There were some women present, but they made no
impression whatever on Mendel, who was entirely occupied with Sir
Julius and with resisting the feeling of helplessness with which he
was inspired in his presence. He heard Maurice Birnbaum talking about
him, describing his life, his mother's kitchen, the street where he
lived, and then he was told to exhibit his pictures. A footman
appeared and put out a chair for him, and on this, one after another,
he placed his drawings and pictures. Not a word was said. Even the
apples were received in silence. Sir Julius gave a grunt and began to
talk to one of the women. Maurice gave Mendel to understand that the
interview was over, and the poor boy was conducted downstairs by the
butler. He had not a penny in his pocket and had to walk all the way
home with his parcel, which his arms were hardly long enough to hold.
VII
THE DETMOLD
Public-domain text, read in full here on John Shaqi.
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