Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Jacob stormed on and Issy blustered, until at last he confessed that
Rosa had caught him, and that he had to marry her. Jacob threw up his
hands and in a shrill voice of icy contempt told Issy exactly what he
thought of such marriages; they were nothing but dirt. . . . "Because
you have a little dirt on you, must you roll in the mud? You are like
dirty dogs, all of you. You, and Harry, and Mendel. I don't know what
has come to you in this London. God gave me one woman, and I have
asked for nothing else."
"You would not let me marry Rosa when I was young."
Words and feeling ran so high that Mendel, aghast, fled away to his
studio, where the sound of the storm reached him. It raged for hours,
and ended in Issy flinging himself out of the house and slamming the
door.
A week later Rosa was brought to see Golda, and she fawned on her like
a dog that has been whipped, sat gazing at her with her stupid brown
eyes, and whimpered: "I should have killed myself. Yes, I should have
killed myself."
"You would not have been so wicked," said Golda. "It is sinful to
throw good fish after bad. Can you cook?"
"Yes," said Rosa. "I can make cucumber soup. I could do anything for
Issy, he is so strong and handsome."
And Golda said to Mendel after the interview: "A woman like that is
like a steam bath for a man."
* * * * *
A few days later Issy and Rosa were married, without ceremony, without
carriages, or photographs, or guests, or feast. It was a wedding to be
ashamed of, but Jacob would not, and Rosa's father could not, lay out
a penny on it. The couple took half the house in the next street, and
Issy discovered at once that he hated his wife, and was at no pains to
conceal it either from her or from his family.
Public-domain text, read in full here on John Shaqi.
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