Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"Do let us go and see him!" said Clowes, who had decided in her own
mind that she was the third of the party and in the way. Morrison said
nothing, and looked very solemn, as though she regarded the visit as
an event--something to be half dreaded. She had a very charming air of
diffidence, as though she were very happy and knew this to be an
unusual and peculiar condition. Often she smiled to herself, and then
seemed to shake the smile away, feeling perhaps that she, a slip of a
girl, had no right to be amused by a world so vast and so varied.
She had enjoyed herself. The ships had stirred her romantically, and
she could not at all agree with Mitchell about painting them, for were
they not works of art in themselves? They moved her in the same way,
arresting her eyes and delighting them, and touching her emotions so
that they began to creep and tickle their way through her whole being.
. . . O wonderful world to contain so much delight! And it pleased her
that the ships should start out of the squalor of the docks like
lilies out of a dark pond.
She smiled and shook the smile away when Mitchell spoke of Mendel
Kühler. She remembered once meeting Mendel on the stairs at the
Detmold. She had often noticed him--strange-looking, white-faced,
romantic, with a look of suffering in his eyes that marked him out
from all the other young men. . . . After she had passed him on the
stairs she turned to look at him, and at the same moment he turned and
she trembled and blushed, and her eyes shone as she hurried on her
way.
Mitchell had told her a great deal about him, and she had heard other
people say that he was detestable, an ill-mannered egoist. She
supposed he was so, for she rarely questioned what other people said,
but he remained a clear figure for her, the romantic-looking young man
who had looked back on the stairs.
"We'll take him by surprise," said Mitchell, with a sudden qualm lest
they should break in upon Mendel and Hetty Finch together. "If we told
him he would hide all his work away and put on a white shirt and have
flowers on the table, for he is terrified of ladies. He says they
don't look like women to him."
"I'm sure," said Clowes, "I don't want to look like a woman to any
man."
This was the most encouraging remark Mitchell had had from either
during the day, and he decided that he was in love with Clowes.
A brisk walk through narrow dingy streets brought them, with some help
from the police, to the door of Issy's house. Mitchell knocked and a
grimy little Jewess opened to them.
"Mr. Mendel Kühler?" said Mitchell.
"Upstairs to the top," replied the Jewess as she hurried away. They
climbed the shabbily carpeted stairs and knocked at the door of the
studio. Mendel opened it. He stood with a brush in his hand, blinking.
He stared at Mitchell and then beyond him at Morrison.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account