Mercia, the astronomer royal: A romanceMears, A. Garland
Science
Mercia, the astronomer royal: A romance
Mears, A. Garland
Science fiction; Utopian fiction
Dayanand Swami surrounded himself with the gorgeous luxuries of an
Eastern prince, although dwelling in the English metropolis, and
displayed his Eastern descent, by following Eastern customs as far as
English conventionalities would permit. Nevertheless, he kept in touch
with the times, accommodating himself to the requirements of the people
among whom he had made his home.
The carriages of titled ladies might have been seen daily at his door;
for love troubles, and court troubles disturbed the peace of great dames
even in the twenty-first century.
Native servants waited obsequiously on these noble visitors who formed
chiefly his _clientèle_, and whose rich fees sustained the splendours of
his household.
Upon the arrival of a visitor the great door would be folded back,
revealing a courtyard arranged in a style of true Eastern magnificence.
The floor was formed of mosaics of elegant design cut from costly
marbles. Shrubs, flowers, and trees of exotic birth filled convenient
parterres, while a fountain played its crystal waters in feathery spray,
giving the scene a refreshing sense of coolness. Birds of beautiful
plumage disported themselves amongst the trees, adding colour, as well
as life to the picture. The tiny humming-bird, like a moving flower-bud
hung on the branches of beautiful shrubs, or basked in the sunshine of
this artificial Eastern clime; for the whole was covered with a high
dome of glass of considerable area, which was supported by graceful
pillars of manufactured marbles erected in regular succession. The
tropical temperature obtained by the conservation of solar heat, being
evenly sustained the year through, independently of the changes of
weather.
The apartments within were arranged in similarly luxurious style. The
walls were hung with crimson satin, embroidered richly in gold, but the
colours were varied according to the character of the apartments.
While the wall draperies of one room were composed of crimson satin,
those of another were pale blue, another yellow, and so on, all of which
were embroidered in richest hues, intermingled with gold. The couches
and curiously carved stools were upholstered in rich materials that were
in character with the decorations of the walls, and window draperies;
while Persian carpets of the softest velvet pile sank like turf beneath
the tread.
Public-domain text, read in full here on John Shaqi.
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