Foundlings -- Fiction; Long Island (N.Y.) -- Fiction
And they did succeed. At night, under the glare of the arc-lights,
alongside a stone quay at Leith they stood, a patient little group up
forward, and heard the mate, standing on the fo’c’s’le head, address
them with the immemorial benediction of the sea, four words:
“That’ll do ye, men.”
A straggling cheer went up and they turned to the shore.
X
Guy Vanton saw now what he had never seen before, what he had come
more than 15,000 miles to see: that the world of men and women is a
fellowship into which all are admitted in such degree as they care to
enter and on such terms as they make for themselves.
Without any subtleties he perceived that the past could bind him only
in so far as he allowed it to do so. It was not his father who proposed
him for fellowship in the community of men and women, nor could his
father withhold that fellowship from him.
Nor his mother, nor anything that they had done or left undone. With
the birth of every mortal a new and clean page is turned in human
history.
Every man writes his own page. What had he written? And he was getting
out of middle age. There was not so much more time left to write. Not
so much space.
He would go home to her whom he should never have left; to her whose
page opened facing his; to her, the mother of his children, whom he had
left to teach them, unaided by him, how to write on the clean, white
page.
Together they would work out something better than themselves. What is
written, lives on. What they wrote would stand as a record, for better
or worse, after they were through inscribing it. The thing was--it must
be done together.
He wandered about Edinburgh for a week and then shipped for New York
from Liverpool. This was in early winter.
XI
Before Richard Hand said good-bye to Mary Vanton that September he told
her frankly of his love for her.
“I am not doing a dishonourable thing,” he insisted. “If I tell you
this, now, it is my right to speak and your right to hear.”
Mary Vanton sat looking directly at him, the brilliance gone from her
blue eyes, the depths in them showing, the depths in her showing, too,
in the way she listened, and the words she uttered. Her wonderful hair,
darkly red, lay framed against the white linen of a chair covering, a
chair with a tall back that seemed to shield and protect her and bring
out in relief the milky whiteness of her fine skin, unchanged by the
sun and salt air, like a pure and unspotted marble.
“No,” she said, slowly, “it is not dishonourable. For it is not myself,
Mary Vanton, that you love, but the girl Mermaid. I am not she. I am
much altered.”
“You are Mermaid,” he said, simply, and in his voice there was
reverence.
She shook her head at this and seemed to fall to pondering the
questions his confession raised.
Public-domain text, read in full here on John Shaqi.
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