Merrie England in the Olden Time, Vol. 1Daniel, George
General
Merrie England in the Olden Time, Vol. 1
Daniel, George
England -- Social life and customs
The flowers that early die!
A. deep and holy calm fell upon Uncle Timothy, with a sweet assurance
that a happier meeting with departed friends was not far distant. And as
the guardianship of ministering angels was his firm belief and favourite
theme, his secret prayer at this solemn moment was, that they might save
him from the bodily and mental infirmities, the selfishness and apathy
of protracted years. He read the inscriptions over again, with a full
conviction of their truthfulness. _They were his own._
At an obscure corner--and afar off--_Truth_, for a wonder, had written
an epitaph upon one who loved, not his _species_, but his _specie!_
Beneath this stone old Nicholas lies;
Nobody laughs, and nobody cries.
Where he's gone, and how he fares,
Nobody knows, and nobody cares!
And at no great distance was a tomb entirely overgrown with rank weeds,
nettles, and thorns; and there was a superstitious legend attached to
it, that they all grew up in one night, and though they had been several
times rooted up, still, in one night, they all grew up again! Stones
had been ignominiously cast upon it; and certain ancient folks of the
village gravely affirmed that, on the anniversary of the burial of the
miserable crone, the _Black Sanctus_ * was performed by herself and
guardian spirits!
* Isaac Reed informs us (see note upon Chapman's Widow's
Tears, in Dodsley's Old Plays) that “the _Black Sanctus_ was
a hymn to Saint Satan, written in ridicule of Monkish
luxury.” And Tarlton (see News out of Purgatory) quotes it
in “the Tale of Pope Boniface.”
“And' upon this there was a general mourning through all
Rome: the cardinals wept, the abbots howled, the monks
rored, the fryers cried, the nuns puled, the curtezans
lamented, the bels rang, the tapers were lighted, that such
a Blacke Sanctus was not seene a long time afore in Rome.”,
The Black Sanctus here said to be performed was of a
different kind. It was assuredly “a hymn to Satan,” in which
the crone and the most favoured of her kindred took the
base; Hypocrisy leading the band, and Avarice scraping the
fiddle.
“The rest God knows--perhaps the Devil”
A yew-tree stretched forth its bare branches over the tomb, which in
one night also became withered and blasted!
[Illustration: 0226]
Public-domain text, read in full here on John Shaqi.
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