Merrie England in the Olden Time, Vol. 2Daniel, George
History
Merrie England in the Olden Time, Vol. 2
Daniel, George
England -- Social life and customs
The person here designated the Bishop was procured by Stone,
and had often rehearsed the Bishop of Winchester in the play
of Henry VIIIth, with such singular éclat, that Garrick
addressed him at the rehearsal, as “Cousin of Winchester The
fellow, however, never played the part, although advertised
more than once to come out in it. The reason will soon be
guessed from the two following letters that passed between
Garrick and Stone on the very evening the Prelate was to
make his début.
“Sir,
“The Bishop of Winchester is getting drunk at the Bear, and
swears he won't play to-night.
“I am, yours,
“Wm, Stone.”
“Stone,
“The Bishop may go to the devil. I do not know a greater
rascal, except yourself.
“D. G”
--hissed in the centre region of a fiery dragon in some diabolical
Jewiow-stration of dramatic diablerie, brandished a wooden
sword,--gallanted Columbine,--blushed blue flame and brickdust in
Frankenstein,--plastered my head over with chalk for want of a Lord
Ogleby white wig,--and bellowed myself hoarse with tawdry configurations
and claptrap vulgarities! And (_Punch_ has no feelings'!) what my
reward? A magnificent banquet of dry bread and ditch-water from
O'Doddipool, ['Think on that, Master Brook!') peels, not of applause,
but oranges! from the pit; and showers of peas (not boiled!) from the
Olympus of disorderly gods. *
* The custom of pelting actors and authors upon the stage is
very ancient. Hegemon of Thasos, a writer of the old comedy,
upon the first representation of one of his plays, came upon
the stage with a large parcel of pebbles in the skirt of his
gown, and laying them down on the edge of the orchestra,
gravely informed the spectators that whoever desired to pelt
him might take them up and begin the attack; but if, on the
contrary, they chose to hear with patience, and judge with
candour, he had done his best to amuse them! The audience
were so delighted with his play, that though its performance
was interrupted by the arrival of very unfortunate news from
Sicily, viz. the destruction of the Athenian Fleet, it was
suffered to proceed; not one of them quitting the theatre,
though almost every individual had lost a relation or friend
in the action. The unfortunate Athenians could not refrain
from shedding tears on the occasion; but such was their
delicacy and honour with respect to the foreigners then
present, that they concealed their weakness by muffling
their faces in their mantles.
Public-domain text, read in full here on John Shaqi.
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