Merrie England in the Olden Time, Vol. 2Daniel, George
History
Merrie England in the Olden Time, Vol. 2
Daniel, George
England -- Social life and customs
* A coloured print of Bartholomew Fair in 1721, copied from
a painting on an old fan mount, represents Sir” Robert
Walpole as one of the spectators.
Pinkethman's “Pantheon, or Temple of the Heathen Gods, consisting of
five curious pictures, and above one hundred figures that move their
heads, legs, and fingers, in character,” long continued the lion of
Bartholomew and Southwark fairs. * On the 19th August, 1720, great
preparations were made against the approaching festival. Stables were
transmogrified into palaces for copper kings, lords, knights, and
ladies! and cock-lofts and laystalls into enchanted castles and Elysium
bowers! The ostlers beguiled the interval by exercising their pampered
steeds, and levying contribution on such as happened to be enjoying the
pure air of Hounslow Heath and Finchley Common! Mob quality in hackney
coaches, and South-Sea squires in their own, resorted to Pinkethman's
booth to divert themselves with his “comical phiz, and newly-imported
French dancing dogs!” The mountebanks were all alive and merry, and a
golden harvest was reaped in the Rounds.
* Sept. 13, 1717. Several constables visited Pinkethman's
booth in Southwark Fair, and apprehended Pinkethman, with
others of his company, just as they had concluded a play, in
the presence of near 150 noblemen and gentlemen seated on
the stage. They were soon liberated, on making it appear
that they were the King's Servants. The Prince visited the
booth.
Other exhibitions has the saint had beside his own. Exhibitions, as a
nuisance, * from that _corpus sine pectore_, the London common council!
“_Do thou amend thy face!_” was the reply of Falstaff to Bardolph,
when the owner of the “fiery trigon” inflicted a homily on that “sweet
creature of bombast.'” How much more needful, sons of repletion! is
reform to you, than the showman, who seldom sees any punch but his own;
the Jack-Pudding, who grins wofully for a slice of his namesake; and the
“strong man,” who gets little else between his teeth but his table!
Why not be merry your own way, and let mountebanks be merry theirs?
Are license and excess to be entirely on the side of “robes and furrd
gowns?”
Public-domain text, read in full here on John Shaqi.
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