Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
Merton could not be sure, but he supposed that the letter from the
little girl told that she was unhappy in her new surroundings, perhaps
being ill-treated by the supercilious Eastern relatives. The miner who
was to remain helped the other to pack his belongings in a quaint old
carpet sack, and together they undid a bundle which proved to contain
a splendid new suit. Not only this, but now came a scene of eloquent
appeal to the watcher outside the door. The miner who was to remain
expressed stern disapproval of the departing miner’s beard. It would
never do, he was seen to intimate, and when the other miner portrayed
helplessness a new package was unwrapped and a safety razor revealed to
his shocked gaze.
At this sight Merton Gill felt himself growing too emotional for a mere
careless bystander, and withdrew to a distance where he could regain
better control of himself. When he left the miner to be shorn was
betraying comic dismay while the other pantomimed the correct use of
the implement his thoughtfulness had provided. When he returned after
half--an-hour’s rather nervous walk up another street, the departing
miner was clean shaven and one might note the new razor glittering on
the low bench beside the battered tin basin.
They worked late in his home that night; trifling scenes were taken
and retaken. The departing miner had to dress in his splendid but
ill-fitting new garments and to bid an affectionate farewell to his
partner, then had to dress in his old clothes again for some bit that
had been forgotten, only to don the new suit for close-ups. At another
time Merton Gill might have resented this tediously drawn-out affair
which was keeping him from his rest, for he had come to look upon this
structure as one having rights in it after a certain hour, but a sight
of the razor which had not been touched allayed any possible feeling of
irritation.
It was nine-thirty before the big lights jarred finally off and the
director said, “That’s all, boys.” Then he turned to call, “Jimmie! Hey,
Jimmie! Where’s that prop-rustler gone to now?”
“Here, Mr. Burke, yes, sir.”
“We’ve finished the shack stuff. Let’s see--” He looked at the watch on
his wrist--“That’ll be all for tonight. Strike this first thing tomorrow
morning.”
“Yes, sir,” said Jimmie. The door was closed and the men walked away.
Merton trailed them a bit, not remaining too pointedly near the cabin.
He circled around through Fifth Avenue to regain the place.
Softly he let himself in and groped through the dark until his hand
closed upon the abandoned razor. Satisfying himself that fresh blades
had accompanied it, he made ready for bed. He knew it was to be his last
night in this shelter. The director had told Jimmie to strike it first
thing in the morning. The cabin would still be there, but it would
contain no homely furniture, no chairs, no table, no wash-basin, no
safety-razor and, most vital of lacks--it would be devoid of blankets.
Public-domain text, read in full here on John Shaqi.
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