He came to life the next morning, shivering under his blankets. It must be cold outside. He glanced at his watch and reached for another blanket, throwing it over himself and tucking it in at the foot. Then he lay down again to screen a tense bit of action that had occurred late the night before. He had plunged through the streets for an hour, after leaving the pool, striving to recover from the twin shocks he had suffered. Then, returning to his hotel, he became aware that The Hazards of Hortense were still on. He could hear the roar of the aeroplane propeller and see the lights over the low buildings that lined his street. Miserably he was drawn back to the spot where the most important of all his visions had been rent to tatters. He went to the end of the pool where he had stood before. Mr. Rosenblatt-hardly could he bring his mind to utter the hideous syllables-was still dissatisfied with the sea’s might. He wanted bigger billows and meant to have them if the company stayed on the set all night. He was saying as much with peevish inflections. Merton stood warming himself over the fire that still glowed in the brazier. To him from somewhere beyond the scaffold came now the Montague girl and Jimmie. The girl was in her blanket, and Jimmie bore a pitcher, two tin cups, and a package of sandwiches. They came to the fire and Jimmie poured coffee for the girl. He produced sugar from a pocket. “Help yourself, James,” said the girl, and Jimmie poured coffee for himself. They ate sandwiches as they drank. Merton drew a little back from the fire. The scent of the hot coffee threatened to make him forget he was not only a successful screen actor but a gentleman. “Did you have to do it again?” he asked. “I had to do it twice again,” said the girl from over her tin cup. “They’re developing the strips now, then they’ll run them in the projection room, and they won’t suit Sig one little bit, and I’ll have to do it some more. I’ll be swimming here till daylight doth appear.” She now shot that familiar glance of appraisal at Merton. “Have a sandwich and some coffee, Kid-give him your cup, Jimmie.” It was Merton Gill’s great moment, a heart-gripping climax to a two-days’ drama that had at no time lacked tension. Superbly he arose to it. Consecrated to his art, Clifford Armytage gave the public something better and finer. He drew himself up and spoke lightly, clearly, with careless ease: “No, thanks-I couldn’t eat a mouthful.” The smile with which he accompanied the simple words might be enigmatic, it might hint of secret sorrows, but it was plain enough that these could not ever so distantly relate to a need for food.