Black Steve and his base crew, hirelings of the scoundrelly guardian who was “a Power in Wall Street,” again and again seemed to have encompassed the ruin, body and soul, of the persecuted Hortense. They had her prisoner in a foul den of Chinatown, whence she escaped to balance precariously upon the narrow cornice of a skyscraper, hundreds of feet above a crowded thoroughfare. They had her, as the screen said, “Depressed by the Grim Menace of Tragedy that Impended in the Shadows.” They gave her a brief respite in one of those gilded resorts “Where the Clink of Coin Opens Wide the Portals of Pleasure, Where Wealth Beckons with Golden Fingers,” but this was only a trap for the unsuspecting girl, who was presently, sewed in a plain sack, tossed from the stern of an ocean liner far out at sea by creatures who would do anything for money--who, so it was said, were Remorseless in the Mad Pursuit of Gain. At certain gripping moments it became apparent to one of the audience that Mrs. Sigmund Rosenblatt herself was no longer in jeopardy. He knew the girl who was, and profoundly admired her artistry as she fled along the narrow cornice of the skyscraper. For all purposes she was Beulah Baxter. He recalled her figure as being--not exactly stubby, but at least not of marked slenderness. Yet in the distance she was indeed all that an audience could demand. And she was honest, while Mrs. Rosenblatt, in the Majestic Theatre at Peoria, Illinois, had trifled airily with his faith in women and deceived him by word of mouth. He applauded loudly at the sensational finish, when Hortense, driving her motor car at high speed across the great bridge, ran into the draw, that opened too late for her to slow down, and plunged to the cruel waters far below. Mrs. Rosenblatt would possibly have been a fool to do this herself. The Montague girl had been insistent on that point; there were enough things she couldn’t avoid doing, and all stars very sensibly had doubles for such scenes when distance or action permitted. At the same time, he could never again feel the same toward her. Indeed, he would never have felt the same even had there been no Rosenblatt. Art was art! It was only five o’clock when he left the picture theatre, but he ate again at the luxurious cafeteria. He ate a large steak, drank an immense quantity of milk, and bought another box of candy on his way to the Patterson home. Lights were on there, and he went in to face the woman he had so long kept out of her money. She would probably greet him coldly and tell him she was surprised at his actions. Yet it seemed that he had been deceived in this society woman. She was human, after all. She shook hands with him warmly and said they were glad to see him back; he must have been out on location, and she was glad they were not to lose him, because he was so quiet and regular and not like some other motion-picture actors she had known.