The girl was confident. “I can tell about this lad,” she insisted. CHAPTER XIII. GENIUS COMES INTO ITS OWN Merton Gill, enacting the part of a popular screen idol, as in the play of yesterday, sat at breakfast in his apartments on Stage Number Five. Outwardly he was cool, wary, unperturbed, as he peeled the shell from a hard-boiled egg and sprinkled salt upon it. For the breakfast consisted of hard-boiled eggs and potato salad brought on in a wooden dish. He had been slightly disturbed by the items of this meal; it was not so elegant a breakfast as Hubert Throckmorton’s, but he had been told by Baird that they must be a little different. He had been slightly disturbed, too, at discovering the faithful valet who brought on the simple repast was the cross--eyed man. Still, the fellow had behaved respectfully, as a valet should. He had been quietly obsequious of manner, revealing only a profound admiration for his master and a constant solicitude for his comfort. Probably he, like Baird, was trying to do something distinctive and worth while. Having finished the last egg--glad they had given him no more than three--the popular screen idol at the prompting of Baird, back by the cameras, arose, withdrew a metal cigarette case, purchased that very morning with this scene in view, and selected a cigarette. He stood negligently, as Parmalee had stood, tapped the end of the cigarette on the side of the case, as Parmalee had done, lighted a match on the sole of his boot, and idly smoked in the Parmalee manner. Three times the day before he had studied Parmalee in this bit of business. Now he idly crossed to the centre-table upon which reposed a large photograph album. He turned the pages of this, pausing to admire the pictures there revealed. Baird had not only given him general instructions for this scene, but now prompted him in low, encouraging tones. “Turn over slowly; you like ‘em all. Now lift the album up and hold it for a better light on that one. It’s one of the best, it pleases you a lot. Look even more pleased--smile! That’s good. Put down the album; turn again, slowly; turn twice more, that’s it; pick it up again. This one is fine--” Baird took him through the album in this manner, had him close it when all the leaves were turned, and stand a moment with one hand resting on it. The album had been empty. It had been deemed best not to inform the actor that later close-ups of the pages would show him to have been refreshed by studying photographs of himself--copies, in fact, of the stills of Clifford Armytage at that moment resting on Baird’s desk. As he stood now, a hand affectionately upon the album, a trace of the fatuously admiring smile still lingering on his expressive face, a knock sounded upon the door. “Come in,” he called.