Hollywood (Los Angeles, Calif.) -- Fiction; Motion picture industry -- Fiction
An assistant director presently herded the desert men down an alley
between two of the big stages and to the beginning of the oriental
street that Merton had noticed on his first day within the Holden walls.
It was now peopled picturesquely with other Bedouins. Banners hung from
the walls and veiled ladies peeped from the latticed balconies. A camel
was led excitingly through the crowded way, and donkeys and goats were
to be observed. It was a noisy street until a whistle sounded at the
farther end, then all was silence while the voice of Henshaw came
through the megaphone.
It appeared that long shots of the street were Henshaw’s first need. Up
and down it Merton Gill strolled in a negligent manner, stopping perhaps
to haggle with the vendor who sold sweetmeats from a tray, or to chat
with a tribal brother fresh from the sandy wastes, or to purchase a
glass of milk from the man with the goats. He secured a rose from the
flower seller, and had the inspiration to toss it to one of the discreet
balconies above him, but as he stepped back to do this he was stopped by
the watchful assistant director who stood just inside a doorway. “Hey,
Bill, none of that! Keep your head down, and pay no attention to the
dames. It ain’t done.”
He strolled on with the rose in his hand. Later, and much nearer the
end of the street where the cameras were, he saw the sheik of noble mien
halt the flower seller, haggle for another rose, place this daintily
behind his left ear and stalk on, his musket held over one shoulder, his
other hand on a belted pistol. Merton disposed of his rose in the same
manner. He admired the sheik for his stature, his majestic carriage,
his dark, handsome, yet sinister face with its brooding eyes. He thought
this man, at least, would be a true Arab, some real son of the desert
who had wandered afar. His manner was so much more authentic than that
of the extra people all about.
A whistle blew and the street action was suspended. There was a long
wait while cameras were moved up and groups formed under the direction
of Henshaw and his assistant. A band of Bedouins were now to worship
in the porch of a mosque. Merton Gill was among these. The assistant
director initiated them briefly into Moslem rites. Upon prayer rugs they
bowed their foreheads to earth in the direction of Mecca.
“What’s the idea of this here?” demanded Merton Gill’s neighbour in
aggrieved tones.
“Ssh!” cautioned Merton. “It’s Mass or something like that.” And they
bent in unison to this noon-tide devotion.
Public-domain text, read in full here on John Shaqi.
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